Techniques

Guess who uses the same system as I for installations pinned to walls! My idol, Jim Hodges, as seen in this video promo for Hodge’s exhibition at the Walker and the Dallas Museum of Art.

Still from Jim Hodges, Give More Than You Take, filmed and edited by Ted Forbes.

Still from Jim Hodges, Give More Than You Take, filmed and edited by Ted Forbes.

To simplify the installation of my ribbon texts, I lay poly sheeting over the ribbons and outline them in permanent marker. I use the sheet to hold the work in place for transit and storage, and as a guide for installation. It’s something I figured out after installing the hard way several times. It’s neat when a method is validated via use by an artist you admire.

PreparatorCraft: Poly sheet guides for installations pinned to walls

Aside
Art Competition Odds

My 2013 in Art Competitions

Stats on my art competition applications in 2013.

Last year, I applied to 34 art competitions.*

I applied to: 11 residencies, 8 exhibitions/museum submissions, 6 fellowships, 4 studio programs, 3 grants & awards, and 2 professional development programs.

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I received: 1 residency, 1 grant, and 1 professional development program.

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I was also informed that I was a finalist for 2 residencies and 1 award.

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My overall success rate was 3 out of 34, or 1 in 11.3, or 8.8%.

I paid $280 in application fees for 9 applications.

$$$$$$$$$0000000000000000000000000

The most expensive was a residency at $45, followed by a residency and fellowship at $40 each. The lowest fee was $10 (to submit work for review to a museum). Twenty-five applications were free.

(*This amount of applications in one 12-month period is a quirk due to the fact that my “goal-year” starts in June. To meet my goal of 24 applications per year, I did 7 in the second half of 2012, and now I only need to do 10 more this spring.)

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Art Competition Odds

art competition odds: Art OMI’s 2014 residency program

Art OMI’s 2014 residency program received over 800 applications for 30 accepted residents.

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Participants comprise about 1:26, or 3.75% of applicants.

See all Art Competition Odds.

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Art Competition Odds

art competition odds: Brush Creek Artist Residency’s Summer/Fall 2013 session

The Brush Creek Artist Residency‘s Summer/Fall 2013 program received over 230 applications for 55 residencies awarded.

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Participants comprise about 1:21, or 4.7% of applicants.

Source: Brush Creek’s FAQ.

See all Art Competition Odds.

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Meta-Practice

For Your Information

Some theoretically useful links.

Christinew Wong Yap, Prototype and Schematic, MegaPennant/MegaPentimento, 2012

Christinew Wong Yap, Prototype and Schematic, MegaPennant/MegaPentimento, 2012

I’m preparing a presentation about my work and professional practices for a class. To simplify communicating links, I’m listing them all here.

[If you’re not in the class, this may seem out of context. Think of it as a box of bonbons. Surprise!]

Residency @ Centre for Contemporary Chinese Art

Michelle Blade

Irrational Exuberance (Asst. Colors) / As Is Transcript

Art Practical

Haim Steinbach

Happiness Is… exhibition

Susan O’Malley, artist

Leah Rosenberg, artist

Montalvo Arts Center exhibitions, residency programs

Martin Seligman, author, Flourish

Franconia Sculpture Park

Creative Capital Goal Setting Tips

Artist’s Resources page

Residency tips on Daily Serving/Help Desk

Should I Stay or Should I Go?” on Art Practical 

Portrait of an Artist, Wily and Engaged” on Art Practical 

Hank Willis Thomas, artist

Art in General, NYC alternative art space

Listings Project (Stephanie Diamond’s list)

my site

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Meta-Practice

Bushwhacking My Way to a New Artist’s Website

Notes from a website-in-progress.

In November, I decided that I was going to code a new responsive artist’s website, instead of using a CMS like SquareSpace. This fateful decision has meant many weeks consumed with good old standbys (HTML, CSS), lost acquaintances (PHP) and new grappling partners (Bootstrap, JS, JQuery, Less). I’m really excited with how my website-in-progress is looking, but behind the scenes, my code, my computer, and my mind have become a crazy quilt, a patchwork worthy of Funkadelic.

My last post on this theme, Artists’ Website Advice (11/28/2013), was cheery and optimistic. Now, from the weeds, come these follow-up thoughts:

  • Easier said than done!
  • Everything takes time. And many things take much more time.
  • The metaphor of a learning curve as a steep ascent is apt!
  • Sometimes learning things the hard way means making multiple attempts, and ultimately only learning what doesn’t work…. if that qualifies as learning a thing at all: Finding its contours in the negative. A plaster mold sculpted from stabs in the dark.
  • You can bang your head on a proverbial, nonphysical wall, and turn your actual meatspace brain into mush.
  • Unless you know code or you need to make weeks of your life disappear, don’t attempt to code your own site.
  • When I’m building things for others, I wish they could visualize what they want first. And though I thought I knew what I wanted in my site, there were many details I had to build, experience, and then revise. UX is complicated. Knowing what I like or dislike about other sites was enough to give me a general direction, but it didn’t replace actual expertise.
  • You can’t please everyone. Technically, there are too many variables—devices, browsers, accessibility issues—to ensure a perfect UX for everyone.
  • You won’t please everyone. My target audience within the art world is fairly niche, yet everyone’s tastes differs. I asked friends to give feedback to some sample pages. It was informative. It was not decisive. It helped me make decisions, and it’s also prepared me for the fact that no one will love my site as completely as I—it will be too big, too small, too much, and too little simultaneously for different people.

Now for some good thoughts:

  • Indispensable tools: Automator, Photoshop’s batch processing, MAMPCybercrab Screencheck, Bootstrap, JQuery, Github.
  • Benefitting from coder’s generous spirit of sharing of knowledge on the web. Even if I understand only 2% of it, it’s still more than what I started out with.
  • More understanding and appreciation for what M did during his IXD degree; M’s patience.
  • The light at the end of the tunnel.
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Meta-Practice, Values

Recommended Reads on Public Sculpture and Self-Criticism

On Public Sculpture

“Best of All Possible Worlds” by Mark Lane
The Believer (Nov/Dec 2013)

Public sculpture, a well-intentioned art competition, Richard Florida-inspired development, class, gentrification, a NYC artist and an Evansville, IL neighborhood collide in this report of a true and impolitic debacle. I highly recommend it.

Implicitly, it suggests how not to redevelop a neighborhood, run an art competition, and instrumentalize public sculpture. At the same time, it offers one way an artist could ethically interact with locals.

On Self-Criticism

“Four Ways to Constructive Criticze Yourself,” by Juliana Breines
Greater Good Science Center, January 9, 2014

These suggestions are fantastic. Artists can benefit from them, especially when thinking about what we can and can’t control in the art world, our own practices, and networks. It’s easy to get down in the dumps when we’re hungry for more, or get poisonously resentful that we’re not the recognition that you deserve. For people who are really hard on yourself, take this as a reminder to practice self-compassion.

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