Meta-Practice, Values

Recommended Reads on Public Sculpture and Self-Criticism

On Public Sculpture

“Best of All Possible Worlds” by Mark Lane
The Believer (Nov/Dec 2013)

Public sculpture, a well-intentioned art competition, Richard Florida-inspired development, class, gentrification, a NYC artist and an Evansville, IL neighborhood collide in this report of a true and impolitic debacle. I highly recommend it.

Implicitly, it suggests how not to redevelop a neighborhood, run an art competition, and instrumentalize public sculpture. At the same time, it offers one way an artist could ethically interact with locals.

On Self-Criticism

“Four Ways to Constructive Criticze Yourself,” by Juliana Breines
Greater Good Science Center, January 9, 2014

These suggestions are fantastic. Artists can benefit from them, especially when thinking about what we can and can’t control in the art world, our own practices, and networks. It’s easy to get down in the dumps when we’re hungry for more, or get poisonously resentful that we’re not the recognition that you deserve. For people who are really hard on yourself, take this as a reminder to practice self-compassion.

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Sights

See: James Yamada’s installation at Parasol Unit, London

James Yamada, "The summer shelter retreats darkly among the trees," 2011. Parasol unit installation view. Photo: Stephen White. Source: Parasol Unit.

James Yamada, The summer shelter retreats darkly among the trees, 2011. Parasol unit installation view. Photo: Stephen White. Source: Parasol Unit.

According to Parasol Unit’s website, this is perhaps my dream programme:

On 22 November 2011, Parasol unit will unveil the first artwork in its Parasolstice – Winter Light series of outdoor projects to be realised by various international artists, each of whom creates sculptural works that address the phenomenon of light.

This past outdoor light sculpture by Yamada floats my boat too:

James Yamada, Our Starry Night, 2008. Photo by Seong Kwon, courtesy of the Public Art Fund.

James Yamada, Our Starry Night, 2008. Photo by Seong Kwon, courtesy of the Public Art Fund.

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