Citizenship

27 days since Ai Weiwei has been disappeared

An NYU law professor weighs in on Ai’s case:

… whatever the evidence being assembled about tax evasion or other charges, that this was not the motivation for Ai’s detention. This case started out on a “detain first and look for justification later” basis. If evidence sufficient to sustain a conviction is found, the case will become a preeminent example of what criminal justice experts call “selective prosecution.” Ai has been singled out from a large number of potentially suspected offenders not because of the magnitude of any alleged economic crimes but because of his creative and eye-catching political challenges to the regime and his defense of human rights.

…however the investigation phase of this case ends, it has already demonstrated once again how far China’s police are not only from adhering to the standards of fair criminal justice enshrined in the International Covenant on Civil and Political Rights, which the government signed in 1998 but has yet to ratify, but also from adhering to their own country’s criminal procedure law. If a famous figure like Ai Weiwei can be so blatantly abused in the glare of publicity, what protections do ordinary Chinese citizens receive from their police?

—Jerome Cohen, “The Ai Weiwei Case: So Far, So Bad.” NYU School of Law’s US Asia Law Institute Blog, April 26, 2011.

In a spineless act of omission, NYC’s Parks and Rec department fails to mention Ai’s nearly month-long disappearance in its press release promoting Full Circle: Ai Weiwei and the Emperor’s Fountain, the forthcoming exhibition of photographs of Ai and his sculptures in Central Park.

The text even touts the nuanced political history informing the sculptures. But by neglecting to mention the enormous price the artist is currently paying for his activism, the Arsenal Gallery appears to be abandoning the artist to fate, even as his physical whereabouts are unknown and his safety is likely endangered. The fear of taking a political position and stirring up controversy is far too common. I would like to think that American civic values translate to being courageous—not cowardly—in the face of injustice.

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News

t_xt_rt @ jenkins johnson (nyc), procedural @ macarthur b arthur (oakland)

I'll show think good thoughts / fortify good attitudes (above) and Unlimited Promise in this promising group show featuring text-based art.

I'll show think good thoughts / fortify good attitudes (above) and Unlimited Promise in this promising group show featuring text-based art.

Opening Thursday, May 5: T_XT_RT @ Jenkins Johnson Gallery

T_XT_RT highlights the connection between artists and writers, visual art and written word, and author and audience through a wide variety of mediums ranging from interactive electronics to neon signs, drawings, paintings, photography, sculpture, installation, and spoken word.

Artists: Jeremy Bert, Samantha Boudrot, Brian Dettmer, Tim Etchells, Claudia Goulette, Cody Hoyt, Mena Kamel, Glenn Ligon, Jack Pierson, Burt Ritchie, Felandus Thames, Leonie Weber, Christine Wong Yap, and Samson Young.

Two readings accompany the exhibition. Reading I will feature Susan Brennan, Will Edmiston, Adam Fagin, Evan Kennedy, Jesse Seldess, and Stacy Szymaszek. Reading II will feature David Buuck, Tom Comitta, Monica de la Torre, Julie Patton, and Kim Rosenfield.

May 5–June 25, 2011
T_XT_RT
Opening Reception: Thurs, May 5, 6-8pm
T_XT_RT reading I: Thurs, May 19, 6pm
T_XT_RT reading II: Thurs, June 2, 6pm
Jenkins Johnson Gallery
521 W. 26th Street, 5th Floor (between 10th & 11th)
New York, NY
Gallery hours: Tue–Sat, 10am–6pm

Plus: If you haven’t yet seen The Black Portrait at Rush Arts Gallery (or maybe you went to the opening and it was so crowded you would like to revisit it), the exhibition continues thru May 21, and it’s just across the street from Jenkins Johnson. Please get in touch if you’d like an artist like me to walk through the shows with a visitor like you.

Procedural  Curated by Jackie Im and Aaron Harbour May 6th – 29th, 2011

Opening Friday, May 6: Procedural @ Macarthur B Arthur

I always welcome experimental opportunities, so I was thrilled when the curators asked me to participate. I sent instructions inspired by experimental psychology, and can’t wait to see how the project takes shape, especially alongside such a killer line-up of artists.

Procedural is an exhibition of instruction-based works. Thirteen artists were invited to create new pieces in the form of instructions to be performed and fabricated by the curators, Jackie Im and Aaron Harbour. The resulting works are both products of the artists’ hand and their conceptualizing process, as well as representing the series of decisions made during production, in this case by Im and Harbour. The visible hand of the curators in each work directly implicates the curator as not just a supervisor but also as a collaborator. Procedural reflects on and questions the importance of the individual artists’ hand versus concept and explores artwork as a collaboration between artists, curators, fabricators, and audience.

Artists: Miguel Calderón, Chris Cobb, Anthony Discenza, Maggie Haas, Kelly Lynn Jones, Mads Lynnerup, Julio César Morales, Marco Rios, Trevor Shimzu, Chris Sollars, Charlene Tan, Kara Tanaka, and Christine Wong Yap.

Curated by Jackie Im and Aaron Harbour.

May 6–29, 2011
Procedural
Reception: Fri, May 6, 7–10pm
MacArthur B Arthur
4030 Martin Luther King Jr Way, Oakland, CA.
Gallery hours: Sundays, 1-5pm and by appt.

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Community

See: Florian Maier-Aichen & SVA MFA Open Studio Picks

Florian Maier-Aichen’s show of large face-mounted photographic works at 303 Gallery is pretty great. There are some eerie, manipulated landscapes and strange photographs of paintings and mixed media works. The result is baffling in a good way. I especially liked:

Florian Maier-Aichen, Östersjön I, 2011

Florian Maier-Aichen, Östersjön I, 2011. Source: 303gallery.com.

Florian Maier-Aichen,Untitled, 2011.

Florian Maier-Aichen, Untitled, 2011. Source: 303gallery.com

The exhibition continues through June 25. 303 Gallery is located at 547 W 21st Street in Chelsea, NYC. (Thanks to Glen Helfand and Mills Art Museum for providing my introduction to Maier-Aichen’s work in the 2006 exhibition, Particulate Matter.)

R* and I took a very late, very quick jaunt through SVA’s MFA Open Studios. Here’s what jumped out at me from the maze of barely-drywalled studios…

First, I sought out the studios of three artists who happened to be interns at Art in General. Their practices couldn’t be more different: Elán Jurado subjects himself to physically demanding performances, Kim Smith makes sluice-y abstract paintings with fluorescent underpainting, and Jonathan Rider crafts meticulous and tiny punched paper assemblages. Rider’s work conjured “In the Reign of Harad IV,” Stephen Millhauser’s beautifully crafted short story about a miniaturist who works beyond the barrier of visibility. (Listen to Cynthia Ozick read it in a New Yorker Fiction podcast. Highly recommended for any artist, especially those aware of the dilemma that refining sensibilities may result in diminishing audiences.)

While grad school should be about experimentation, and indeed much of the work in the studios doesn’t appear on the students’ websites, there were some studios that seemed to exhibit freshness and coherence, which appealed to me from the chaotic quarters.

Perhaps the riotous surroundings further enhanced the appeal of minimal installations by Oh Jong and Aken Wahl. Or maybe I just like brainy, minimal, barely perceptible art that uses glass, wires and multiples. Nothing wrong with that.

Max Glaser had some really interesting polished metal ingots and polished pennies in his studio. There was an emphasis on material and process that seemed to convey a confidence in his inquiry. But the inquisitive mood was completely destroyed by a dead mouse, smashed against the glass in a picture frame and encased in acrylic. Displaying decomposing flesh in such an aestheticized manner (in white frame on a white wall) struck me as cruel and profane. As MA pointed out after a recent visit to the Mütter Museum in Philly, displays of mortality often beget questions of morality.

Rebecca S. Ward’s investigations of tape as an installation material is interesting. She also had some various colored roll media standing on end on the floor, as very simple, ingenious sculptures. Eli Gabriel Halpern’s paintings alternated between figuration and abstraction, unified by a pastel palette that was attractive and slightly repulsive. Aaron Hillebrand walks the good/bad/ugly line with his crumple-paintings, with oddball paintings and video works nestled between and behind.

SVA’s MFA Open Studios continue tomorrow from noon to 6pm.

*She’s a good photographer. Check it out.

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Community

The Gathering @ Ed Varie (NYC) & With Food in Mind @ The Center for Book Arts (NYC)


The Gathering
created, conceived and installed by Light Hits (Kelie Bowman and Jessie Rose Vala)

Opening May 5
Ed. Varie
208 E. 7th Street, New York, NY

Opening Reception: Thursday, May 5, 6-9 pm
Exhibit and Performances May 5th through June 2nd 2011.
Gallery Hours: Thursdays–Sundays 1-7 pm

Interested in expanding their creative process, Kelie Bowman and Jessie Rose Vala formed the collaborative partnership Light Hits in 2009. Light Hits explores themes of transformation, regeneration, sexuality, and feminine and masculine principals. The scope of their collaborations includes music, installation, video, animation, drawing and painting.

Light Hits has performed in various venues in the New York area focused on bridging the gap between the music and art worlds. Their performances involve costumes, installation, music and video projections that all work together to tell a non-linear narrative. Masks and costumes are worn to remove the notion of personal ego, and to represent a fantasy world of characters and archetypes.

Working in both two and three-dimensional practices Light Hits continues explore similar themes and motifs to draw those elements together. In 2010 Light Hits completed a wall installation for the exhibition Temple of Bloom at Cinders Gallery. In 2011 they composed a performance piece for the NY Scope Art Fair, as well as scored “Hausu”, a Japanese Movie performed live at Spectacle Theater in Brooklyn.

Light Hits will create The Gathering, a month long exhibition at Ed. Varie in New York City. The Gathering will incorporate all elements in which Light Hits creates, a two and three-dimensional wall installation, as well as various performances that will be presented throughout the month.

—-

With Food in Mind

Through June 25, 2011
The Center for Book Arts

28 West 27th Street, 3rd Floor
New York, New York 10001
M-F 10-6; Sat 10-4; closed Sundays

A great show, with lots to look at. The curator made great use of the compact exhibition space and assembled nice selections from diverse regions and eras.

Organized by Nicole Caruth, Independent Curator and Critic

With Food in Mind looks at artists’ use of food as subject matter or medium in book arts, print, and digital media. The exhibition is inspired by the current food climate (i.e. how food is cultivated, distributed, consumed, and discussed today) and includes over 40 works that span the last twenty years.
Featuring work by Nava Atlas, Carissa Carman, Atom Cianfarani, Conflict Kitchen (Jon Rubin and Dawn Weleski, with Brett Yasko), The Counter Kitchen (Stefani Bardin and Brooke Singer), Critical Art Ensemble, Mindell Dubansky (with Miriam Schaer and Toby Dubansky), EIDIA (Paul Lamarre and Melissa P. Wolf), Joy Garnett, Marti Guixe, Heather Hart, Barbara Henry (with John DePol), Gretchen Hooker, Marisa Jahn (with Noa Treister), Susan Johanknecht, K Yoland, Robin Kahn, Isabelle Lumpkin, Emily Martin, Katharine Meynell, Scott McCarney, Aleksandra Mir, Elaine Tin Nyo, Hugh Pocock, Susan Roma, Leah Rosenberg, John Ross (with Sam Joffee), Mara Scrupe, Steve Shada, Maya Suess, Tattfoo Tan, Robert The, and Rirkrit Tiravanija.

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Art & Development

Ioana Nemes, 1978-2011

While there is time, let’s go out and feel everything.

–Paul Thek, American artist, 1933-1988

It takes a lot of courage to attempt to fulfill one’s potential. Ioana Nemes (1978-2011) pursued her art with commitment and rigor, but her life was cut tragically short this past weekend. Her enormous potential was self-evident, as is the loss to the rest of us now.

Ioana Nemes, Art in General

Ioana Nemes' exhibition at Art in General, NYC.

Ioana was a tremendously talented artist. A Romanian who has exhibited mostly in Europe, her first show in the US opened just a few weeks ago at Art in General. Like much of Nemes’ previous work, the exhibition deals with time. Times Colliding continues through May 7.

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Citizenship

Love the Future

Love the Future/Chinese Cosulate, New York City; Studies in Perspective after Ai Weiwei('s disappearance)

Love the Future/Chinese Cosulate, New York City; Studies in Perspective after Ai Weiwei('s disappearance)

In China, the state tightly controls the internet. Chinese citizens can’t access Google, Facebook, or Twitter. Any searches with Ai Weiwei’s name are terminated, as the artist explained in a prescient interview with Dan Rather shot just 10 days before his unlawful detention and disappearance on April 3.

To skirt censors, Chinese citizens have adopted the code-phrase, Love the Future (愛未來), which is similar to Ai’s name (艾未未) in Chinese.

“Love the Future” has many interpretations. It’s an affirmation, a progressive rallying cry, an admonishment to the repressive Chinese government to fear not its own courageous activists, a call to change.

The above photo is inspired by this declaration, Ai’s courage, and his Studies in Perspective photographs.

Love the Future! Release Ai Weiwei and all unlawfully detained activists immediately.

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Community

Hope balloons by Tim Etchells

Tim Etchells' hope balloon installation

Tim Etchells' hope balloon installation

Pereant qui ante nos nostra dixere!
(May they perish who have expressed our bright ideas before us.)

I don’t actually wish harm upon Mr. Etchells; his hope balloons are simply good. I look forward to showing alongside him, as well as longtime art-hero of mine, Glenn Ligon, as well as others, in a forthcoming exhibition called T_XT_ART at Jenkins Johnson Gallery in New York.

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mirrorsblackportrait

mirrorsblackportrait, 2011, mirrors, paint, frames, wire, motor, hardware; 112 x 21 x 21 in / 2.8 m x 0.5 x 0.5 m (site variable).

mirrorsblackportrait, 2011, mirrors, paint, frames, wire, motor, hardware; 112 x 21 x 21 in / 2.8 m x 0.5 x 0.5 m (site variable).

I made mirrorsblackportrait, a new kinetic sculpture, for The Black Portrait, an exhibition curated by Natasha L. Logan and Hank Willis Thomas, currently on view through May 16 at Rush Arts Gallery, 526 W. 26th Street in New York City’s Chelsea district. I’m quite pleased of the result and very proud to be in the show, which is mostly 2-D portraits or figurative works by African American artists, as well as a few videos and installations. I think my piece is points out the construction of race, as well as working as an abstraction, in a sense, within the show.

I’ve posted a video on Vimeo of mirrorsblackportrait. Have a look!

If you’re in town, please visit the show, I think it’s got a lot of strong works in it. I’d also be happy to walk through the show too, if you’re interested—email me. Cheers!

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