Community, News, Sights

Opening 6/16: Re-Covering @ Untitled Gallery (MCR), 6/17: AUDiNT @ Art in General (NYC)

OPENING THIS WEEK…

Creativity, Mihaly Csikszentmihalyi, 2011, glitter, neon and gel pen on vellum and paper, glitter foil on board, acetate, paper, ribbon, wood, 4.25 x 7 x 0.75 in / 11 x 18 x 2 cm

Creativity, Mihaly Csikszentmihalyi, 2011, glitter, neon and gel pen on vellum and paper, glitter foil on board, acetate, paper, ribbon, wood, 4.25 x 7 x 0.75 in / 11 x 18 x 2 cm

6/16: Preview for Re-Covering at Untitled Gallery, Manchester, UK
June 17–July 31
Preview: Thursday, June 16, 6-9pm

I re-designed the cover of Mihaly Csizkzentmihalyi’s Creativity—the form doubles as a creativity test—for this group show in Manchester, UK.

Curated by Mike Chavez-Dawson, Re-Covering is an exhibition of works by 40 local and international artists who redesign the cover of an influential book onto a reclaimed piece of oak from school libraries. Displayed on an installation of shelves, the works are standard paperback size (110mm x 178mm x 15mm).

Artists: David Shrigley, Billy Childish, Harry Hill, Magda Archer, Robert Casselton Clark, Laurence Lane, Mike Chavez-Dawson, Jane Chavez-Dawson, Monica Biagioli, Brian Reed, Lisa Slominski, Mr&Mrs, Andrew Bracey, Lee Machell, Paul Cordwell, Richard Healy, Nick Jordan, John Hyatt, Naomi Kashiwagi, Bren O’Callaghan & Mandy Tolley, Paul Stanley, Kai-Oi Jay Yung, David Alker, Ben Cove, Stratton Barrett & Peter Wankowicz, Cecilia Wee, Jake Geczy, Roisin Byrne, Christine Wong Yap, Ludovica Gioscia, Julie Hammonds & Kit Hammonds, Jason Minsky, Mark Haig & Sarah Perks, Ed Barton, Daniel Staincliffe, Margaret Cahill, Contents May Vary, Elizabeth Leeke, The Centre of Attention, Steve Hawley, Lee Campbell, The Confraternity of Neoflagellants & BABEL Working Group, Nicola Dale.

Concurrent programming includes The Reading, a multiple writers’ residency that will be projected live across multiple screens in Manchester including Cornerhouse, International Anthony Burgess Foundation, CUBE, Chinese Arts Centre, Castlefield Gallery, Manchester Art Gallery, Whitworth Art Gallery, and The Reading Room Collection, MMU Library.

Opening 6/17: AUDiNT’s Dead Record Office @ Art in General, NYC
June 17–July 23

I helped out with the build in this immersive audio installation. Unfortunately I won’t be there for the opening (which is probably going to be Friday night, 6-8pm; double-check first!), but it is shaping up to be a really neat show. If you haven’t been to Art in General, go check them out! I think they have a great space and do really interesting shows, and it’s actually really easy to get there, just off Canal Street.

AUDiNT, short for “Audio Intelligence” is a collaborative, research team comprised of artists and scholars Steve Goodman, Toby Heys and Jon Cohrs. Their upcoming exhibition, Dead Record Office, explores the historical and fictitious relationship between sound and warfare.

CLOSING TODAY, 6/12…
Procedural
MacArthur B Arthur, 4030 Martin Luther King Jr Way, Oakland, CA

LOOKING FORWARD TO…

San Francisco

Through July 16
Stephanie Syjuco: Raiders!
Catherine Clark Gallery

Through July 30
Ranu Mukherjee: Absorption into the Nomadic and Luminous
Frey Norris Modern & Contemporary

Through June 26
Metric: Dana Hemenway and Anthony Ryan; Curated by Jessica Brier
Park Life Gallery

June 17–July 23
Opening Friday, June 17, 6-8pm
Chromaticism: Elijah Burgher, James Chronister, Richard Kent Howie, Cybele Lyle; Curated by Liz Wing
NOMA Gallery
[Super bummed to miss the last day of Ryan Thayer‘s gadget photograms]


Bay Area

June 18 to September 17
Zombie-Proof House
Anthony Discenza, HalfLifers (Torsten Z. Burns and Anthony Discenza), Suzanne Husky, Inka Hoots (Joshua Short and Joel Dean Stockdill), Packard Jennings, Robin Lasser and Adrienne Pao, Whitney Lynn, Julio Cesar Morales, Lucy Puls, and Carol Selter.
di Rosa, Napa, CA

Through July 1
Steven Barich: Zen with a Kickstand
bayVAN/Branch Gallery
, 455 17th St. Suite 301, Oakland, CA

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Shop Talk feature in Art Practical, and conversation @ SFMOMA

Shop Talk is a series of articles in Art Practical and conversations at SFMOMA about artists’ survival strategies.

MY FEATURE IN ART PRACTICAL

I’m a proud contributor. I had the pleasure of interviewing artists Tattfoo Tan, Amanda Curreri, and Torreya Cummings and collaborative Earthbound Moon to develop a feature story for “Portrait of an Artist, Wily and Engaged,” published on Art Practical today. The feature focuses on strategic optimism, bridging some of my research in the ongoing Positive Signs series on SFMOMA’s Open Space blog.

5/12: CONVERSATION

And, if you’re free, talk about the issues at SFMOMA next Thursday…

Thursday, May 12, 7pm
Shop Talk: Part Three
“What are the economic realities that artists face?”
With presentations by the artist team Sean Fletcher and Isabel Reichert, artist Cheryl Meeker, and writer Lara Durback.

Please join Open Space and the online journal Art Practical on May 12th for the final installment of our three-part series of conversations considering the survival strategies artists develop and adopt to further the social reach of the aesthetic and critical capacities of their work, as well as gain recognition and financial viability.

Koret Visitor Education Center
San Francisco Museum of Modern Art
151 Third Street
San Francisco, CA

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t_xt_rt @ jenkins johnson (nyc), procedural @ macarthur b arthur (oakland)

I'll show think good thoughts / fortify good attitudes (above) and Unlimited Promise in this promising group show featuring text-based art.

I'll show think good thoughts / fortify good attitudes (above) and Unlimited Promise in this promising group show featuring text-based art.

Opening Thursday, May 5: T_XT_RT @ Jenkins Johnson Gallery

T_XT_RT highlights the connection between artists and writers, visual art and written word, and author and audience through a wide variety of mediums ranging from interactive electronics to neon signs, drawings, paintings, photography, sculpture, installation, and spoken word.

Artists: Jeremy Bert, Samantha Boudrot, Brian Dettmer, Tim Etchells, Claudia Goulette, Cody Hoyt, Mena Kamel, Glenn Ligon, Jack Pierson, Burt Ritchie, Felandus Thames, Leonie Weber, Christine Wong Yap, and Samson Young.

Two readings accompany the exhibition. Reading I will feature Susan Brennan, Will Edmiston, Adam Fagin, Evan Kennedy, Jesse Seldess, and Stacy Szymaszek. Reading II will feature David Buuck, Tom Comitta, Monica de la Torre, Julie Patton, and Kim Rosenfield.

May 5–June 25, 2011
T_XT_RT
Opening Reception: Thurs, May 5, 6-8pm
T_XT_RT reading I: Thurs, May 19, 6pm
T_XT_RT reading II: Thurs, June 2, 6pm
Jenkins Johnson Gallery
521 W. 26th Street, 5th Floor (between 10th & 11th)
New York, NY
Gallery hours: Tue–Sat, 10am–6pm

Plus: If you haven’t yet seen The Black Portrait at Rush Arts Gallery (or maybe you went to the opening and it was so crowded you would like to revisit it), the exhibition continues thru May 21, and it’s just across the street from Jenkins Johnson. Please get in touch if you’d like an artist like me to walk through the shows with a visitor like you.

Procedural  Curated by Jackie Im and Aaron Harbour May 6th – 29th, 2011

Opening Friday, May 6: Procedural @ Macarthur B Arthur

I always welcome experimental opportunities, so I was thrilled when the curators asked me to participate. I sent instructions inspired by experimental psychology, and can’t wait to see how the project takes shape, especially alongside such a killer line-up of artists.

Procedural is an exhibition of instruction-based works. Thirteen artists were invited to create new pieces in the form of instructions to be performed and fabricated by the curators, Jackie Im and Aaron Harbour. The resulting works are both products of the artists’ hand and their conceptualizing process, as well as representing the series of decisions made during production, in this case by Im and Harbour. The visible hand of the curators in each work directly implicates the curator as not just a supervisor but also as a collaborator. Procedural reflects on and questions the importance of the individual artists’ hand versus concept and explores artwork as a collaboration between artists, curators, fabricators, and audience.

Artists: Miguel Calderón, Chris Cobb, Anthony Discenza, Maggie Haas, Kelly Lynn Jones, Mads Lynnerup, Julio César Morales, Marco Rios, Trevor Shimzu, Chris Sollars, Charlene Tan, Kara Tanaka, and Christine Wong Yap.

Curated by Jackie Im and Aaron Harbour.

May 6–29, 2011
Procedural
Reception: Fri, May 6, 7–10pm
MacArthur B Arthur
4030 Martin Luther King Jr Way, Oakland, CA.
Gallery hours: Sundays, 1-5pm and by appt.

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mirrorsblackportrait

mirrorsblackportrait, 2011, mirrors, paint, frames, wire, motor, hardware; 112 x 21 x 21 in / 2.8 m x 0.5 x 0.5 m (site variable).

mirrorsblackportrait, 2011, mirrors, paint, frames, wire, motor, hardware; 112 x 21 x 21 in / 2.8 m x 0.5 x 0.5 m (site variable).

I made mirrorsblackportrait, a new kinetic sculpture, for The Black Portrait, an exhibition curated by Natasha L. Logan and Hank Willis Thomas, currently on view through May 16 at Rush Arts Gallery, 526 W. 26th Street in New York City’s Chelsea district. I’m quite pleased of the result and very proud to be in the show, which is mostly 2-D portraits or figurative works by African American artists, as well as a few videos and installations. I think my piece is points out the construction of race, as well as working as an abstraction, in a sense, within the show.

I’ve posted a video on Vimeo of mirrorsblackportrait. Have a look!

If you’re in town, please visit the show, I think it’s got a lot of strong works in it. I’d also be happy to walk through the show too, if you’re interested—email me. Cheers!

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Release Ai WeiWei: An Overseas Chinese Perspective – New America Media

My op-ed, “Release Ai WeiWei: An Overseas Chinese Perspective” appears on New America Media today.


Photos from the NYC 1001 Chairs demonstration:

1001 Chairs for Ai Weiwei at the Chinese Consulate in New York City, April 17, 2011

1001 Chairs for Ai Weiwei at the Chinese Consulate in New York City, April 17, 2011


 
Crafters represent

Crafters represent.

Ann Pasternak

Ann Pasternak, Director of Creative Time, addressing the crowd. I was wondering who'd play the role of police negotiator, and Pasternak did. I love seeing art administrators do on-the-ground community organizing.

Democratic Party of China

My op-ed is about Chinese Americans/Overseas Chinese taking a stand; I was delighted to see a large contingent show up too. They totally side-busted the peaceful, poetic 1,001 Chairs for Ai Weiwei with street protest tactics: bullhorns, chants, raised fits (though suit jackets and matching ball caps is pretty Chinese). It's funny because the stereotype is that Chinese people are quiet, but today it was the Chinese contingent that wanted to be heard.

Accounts from 1001 Chairs in San Francisco:

Glen Helfand, “Empty Chairs,” Open Space (April 17, 2011) (I’m a fellow contributor.)

Christian L. Frock, “1001 Chairs for Ai Weiwei,” KQED Arts Blog, (April 18, 2011) (Frock mentions the posters I designed.)


Updates: FreeAiWeiWei.org

Further Readings:

“The arrest of Ai Weiwei reflects a new escalation in the current and already severe crackdown,” said Sophie Richardson, Asia advocacy director at Human Rights Watch. “Only sustained international pressure can help Ai Weiwei now.”… Since mid-February, the Chinese government has arrested, detained, disappeared, put under house arrest, summoned for interrogation, or threatened with arrest over two hundred people for dissent or peaceful social activism. Six of the country’s most prominent human rights lawyers – Teng Biao, Tang Jitian, Jiang Tianyong, Liu Shihui, Tang Jingling, and Li Tiantian – have been “disappeared” by the police and remain at serious risk of torture and ill-treatment.

Statement from Human Rights Watch

Great context, and this beautiful quote about Ai’s father’s advice to his son:

“This is your country,” his father told him as he was dying. “Don’t be polite.”

—Austin Ramzy, “The Activist Artist of China,”Time Magazine (April 16, 2011)

Why the allegations, however suspect, are irrelevant to the core issue of justice and citizen’s rights:

Without fair legal proceedings, there is no fairness for the legal entity, any results from such circumstances cannot be deemed credible. As Ai Weiwei’s Studio colleges, his family members and volunteers, we all urge the … authorities to … follow the procedures proscribed by law, and to protect the public’s rights.”

—From the open letter from Ai Weiwei’s family and studio members on his and his associates’ detainment/disappearances, in English and Chinese, on Scribd.

Something historically obscene is happening here. It is as if different times exist simultaneously. In one time-stream, democracy is in global demand and artists including Ai Weiwei are revealing the richness of China’s culture to the world. Yet in the sinister second stream it is 1950, and dissidents can be blackguarded and bullied with total impunity by a system that takes Orwell’s 1984 as a handbook.

Jonathan Jones, “Ai Weiwei isn’t on trial: China is,” The Guardian (April 14, 2011)

A beautiful call to action by someone who knows a thing or two about the power of art to provoke strong reactions:

Art can be dangerous. Very often artistic fame has proved dangerous to artists themselves…. We can perhaps bet on art to win over tyrants. It is the world’s artists, particularly those courageous enough to stand up against authoritarianism, for whom we need to be concerned, and for whose safety we must fight. …outside the free world, where criticism of power is at best difficult and at worst all but impossible, creative figures like Mr. Ai and his colleagues are often the only ones with the courage to speak truth against the lies of tyrants.

Salman Rushdie, “Dangerous Arts,” New York Times (April 19, 2011).

Love the Future via ArtInfo via CDT

“‘Love the Future’ Becomes Coded Rallying Cry for Ai Weiwei,” ArtInfo (April 16, 2011)

What you can do:

Sign the petitions!
Guggenheim Foundation’s petition on Change.org (Bloomberg reports that Change.org suffered denial-of-service attacks by Chinese hackers)
Bianca Jagger Foundation for Human Rights

Call the Chinese Embassy (See the Facebook event for contact info for embassies in Stockholm, Athens, Paris, Sofia, the Netherlands, Washington DC, and San Francisco)

Download the Missing poster by Berlin-based Platoon.

In advance of their April 27-28 meeting with China, tell the US State Department to call for the immediate release of Ai Weiwei, his associates and the other dissidents who have been unlawfully detained!

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Community, News

Through April 16: IMPRESSIONS: From the CCA(C) Print Shop

Thanks to AR for pointing this out to me: An old woodcut print of mine, originally exhibited in my BFA senior show in 1998 at the California College of the Arts, is in a current exhibition in Oakland, CA.

Curated by CCA(C) printmaking instructors Tim Sharman and Jack Y. Ford, I’d wager that the exhibition includes lots of oldies-but-goodies, with etchings, lithographs (from actual limestones!), woodcuts and letterpress prints on view.

I haven’t made prints in a while, but I’ve hung two etchings in my kitchen here in NY. They were acquired in one of the department’s end-of-semester print exchanges.

March 4 – April 16
IMPRESSIONS: From the CCA(C) Print Shop

Studio Quercus
385 26th Street, b/Broadway & Telegraph, downtown Oakland, CA

THE FAMOUS, NOT-SO-FAMOUS AND THE TOTALLY UNKNOWN
Curated by Tim Sharman and Jack Ford

An exhibition of prints spanning 60 years of printmaking from the print shop at the California College of the Arts—formerly known as the California College of Arts and Crafts. Examples of lithography, intaglio, relief and screen printing will be on display. Over the years, the CCA(C) print shop has seen many students and teachers using the presses to create images to remember. This survey is a celebration of that long history of creativity.

Curated by CCA(C) alumni and instructor Tim Sharman and CCA(C) alumni and professor Jack Ford, this exhibition honors the traditional craft of printmaking.

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3/31: The Black Portrait opens at Rush Arts Gallery

I’m producing a new kinetic installation for this group exhibition….

March 31 – May 21, 2011
The Black Portrait

Opening: Thursday, March 31 · 6-8pm

The word black has several meanings in our society. It may reference individuals or groups with dark skin; a complete absence of light; the opposite of white; or the embodiment of a negative or pessimistic disposition. A portrait is understood to represent a person or thing, usually in the form of a drawing, painting, photograph, engraving, or text.

When these terms are linked, a sense of alchemical potency is suggested. This exhibition brings together paintings, photographs, videos, collage and sculpture by ten artists contending with what it means to make a black portrait. It aims to use this linkage to expand dialogue about identity, difference, and belonging in contemporary culture.

Artists:
Kajahl Benes
Delphine Diallo
Duron Jackson
Coby Kennedy
Toyin Odutola
Kambui Olujimi
Shane Aslan Selzer
Keisha Scarville
Felandus Thames
Christine Wong Yap

Curated by Hank Willis Thomas and Natasha Logan.

Rush Arts Gallery
526 W. 26th Street, Suite 311 (between 10th and 11th), New York, NY

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Art Practical: Talking Shop / Review of Curtain Call

The latest Art Practical is online, and it features a new collaboration with SFMOMA.

Have a look at Zachary Royer Scholz’ essay, “San Francisco and the Art World of Tomorrow” and Christian L. Frock’s “Notes on Alternative Autonomy.” While you’re there, you can also read my latest art review: “Curtain Call”, by sculptor Robert de Saint Phalle at Dodge Gallery, NYC.

Over at SFMOMA’s Open Space (where I posted Positive Signs #2 yesterday), you’ll find “Shadowshop: Recipe for Boiling Water,” by Renny Pritikin, posing a series of questions inspired by Stephanie Syjuco’s Shadowshop project at SFMOMA.

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