2016 Holiday Sale

I’ve assembled some projects as gift sets this holiday season.

Thank you for your support. I’m a working artist, and I mostly engage with non-profit organizations. It’s been a pleasure to share my participatory projects over the past year. If you enjoy my work, consider giving or collecting one of these specially assembled sets, so I can keep making and sharing.

Payments are accepted through Paypal. Prices are listed for US shipping only. For international shipments or alternative payment methods, please email me.

Ways and Means Activity Kit
Set of 8 letterpress printed activities, plus bonus items

Ways and Means Activity Kit, 2016, letterpress prints with hot foil, pencils, crafting extras, dimensions variable.

Ways and Means Activity Kit, 2016, letterpress prints with hot foil, pencils, crafting extras, dimensions variable.

Get or give a set of 8 letterpress-printed activities to explore how we rely on and support each other. Cut and assemble linoleum prints to visualize your chains of cooperation. Set up a buddy system to reach goals with pledges and postcards. Draw a portrait of the friends and family who keep you afloat. Send a letter (four sheets of letter paper, including a bear with a top hat!) in a make-your-own envelope.

Also included are three hot-foil stamped Ways and Means pencils, a Ways and Means postcard, and a bell and ribbon (color may vary) to assemble your own Interdependence Door Charm.

The printing methods span hand-set lead type, hand-carved relief printing, pressure printing, polymer plate, and hot foil stamping. Printed by the artist on Vandercook presses at Kala Art Institute in Berkeley, CA and the Center for Book Arts, NYC. Learn more about the Ways and Means project. While the project was on exhibit last fall, individual activities were available on a limited, take-one basis; this set offers a chance to enjoy 8 activities at once.

Ways and Means Activity Kit
$45 + $10 shipping and handling via USPS Priority Mail 

Ways and Means Decorative Pattern Postcards
Set of 10 blank cards

Ways and Means notecards, 2016, letterpress polymer plate print on cream laid paper stock, 5x7 inches each, set of 10.

Ways and Means notecards, 2016, letterpress polymer plate print on cream laid paper stock, 5×7 inches each, set of 10.

These letterpress-printed cards with blank backs can be used as postcards or notecards. They feature icons representing interdependence in my recent Ways and Means project. For example, balloons represent peers who keep us afloat, a drill and thread is for our skills and resourcefulness, and links stand for being part of a chain of cooperation.

I printed these 5-by-7-inch postcards on a Vandercook press at Kala Art Institute in Berkeley, CA. Each card was printed with soft green ink on cream laid paper.

Ways and Means Cards
Set of 10
$10 + $2 shipping and handling via USPS First Class Mail


Positive Messages Postcards
Set of 10

Set of Five Postcards, 4x6

Five postcard designs, 4×6″ each.

This set of ten postcards features a selection of the five cards pictured above. Six cards depict three installations using only ribbons to create texts that are inspired by positive psychology. A make things (happen) postcard—which can be colored in—is included, as well as a postcard from the Irrational Exuberance (Asst. Colors) project using discount store products to explore pleasure.

The backs have just caption info and a URL, with plenty of space for writing special notes to mail to friends.

Sample postcard back.

Sample postcard back.

Set of ten postcards
$10 + $1 shipping & handling via USPS First Class


Solidarity Poster
Set of five to benefit NYC immigrant empowerment

Nos Cubrimos Las Espaldas/We Got Each Other's Backs, 2016, letterpress pressure print with hand-set wood type, 12x18 inches.

Benefit set of five prints of Nos Cubrimos Las Espaldas/We Got Each Other’s Backs (2016, letterpress pressure print with hand-set wood type, 12×18 inches).

I made these in response to Trump’s election to express solidarity with marginalized groups. I have been giving individual posters out to local protestors and allies, and offering a downloadable file for self-desktop printing, but now you can order a set of 5 to distribute as you please.

I printed each of these posters on a Vandercook letterpress at the Center for Book Arts, NYC. The image is made with pressure printing using a hand-cut paper stencil; the text is handset wood type. I used fluorescent pink and royal blue ink on smooth, bright white, Cougar 80# text paper. The handmade nature makes each of these prints highly unique.

Five dollars from every order will be donated to the Make the Road (New York), a 501(c)3 non-profit organization that “builds the power of Latino and working class communities to achieve dignity and justice through organizing, policy innovation, transformative education, and survival services.”

Set of 5 Solidarity Posters
$15 + $3.50 shipping & handling via USPS 



You might also like to see the multiples for sale on my website, including a holographic sticker sheet, and pinback buttons about overcoming setbacks.

Art & Development, Thought Experiments in Agency

Kala Fellowship: Residency Notes, Part 2

A few notes on my residency in June and July, with personal reflections. A continuation of “Kala Fellowship: Residency Notes, Part 1.”

Christine Wong Yap, including collaborations with Sarrita Hunn, Leah Rosenberg, and Elizabeth Travelslight, Ways and Means, in Kala's Fellows exhibition, Appro-propagation, on through October 15. Photo: JiaJun Wang. Works developed at Kala Art Institute's Fellowship program, as well as in the Center for Book Arts' Workspace Grant program.

Christine Wong Yap, including collaborations with Sarrita Hunn, Leah Rosenberg, and Elizabeth Travelslight, Ways and Means, in Kala’s Fellows exhibition, Appro-propagation, on through October 15. Photo: JiaJun Wang. Works developed at Kala Art Institute’s Fellowship program, as well as in the Center for Book Arts’ Workspace Grant program.

I returned to Kala from early June to late July for a second residency stint. Over those six weeks, I developed new work—including collaborations with Leah RosenbergElizabeth Travelslight, and Sarrita Hunn (Institute for Autonomous Practices)—and installed it in the Kala Fellows’ exhibition (currently on view through October 15). [Update: I’ve posted photos on my website.]


Screenprints in the drying rack for a game developed in collaboration with Sarrita Hunn (Institute for Autonomous Practice). The top layers are cards, including some inspired by questions in my recent zine on interdependence. The bottom layers are canvas game “boards.”



Press lock-up on the delightfully light Vandercook SP-15. For Friendship Field Trip, a collaboration with Elizabeth Travelslight. It comes in four pieces, each describing an activity to deepen a friendship. The back of all four assembles into a map/poster.


Detail of Color | Cootie | Feeling | Catcher, an activity developed in collaboration with Leah Rosenberg. 13-color woodcut and polymer plate letterpress print.

This experience was extraordinarily positive, like my January/February stint. Here are a few updates:

Busier printshop. There were more AIRs and Fellows in town for the summer season. The chill, atelier-like vibe often gave way to a bustling hive of printing. The screen printing equipment was especially popular.

Fellows and staff took a break for lunch.

Fellows and staff took a break for lunch.


New Fellows Ronny Quevedo (Bronx, NY) and James Voller (New Zealand/Melbourne), Honorary Fellows Katie Baldwin and Chris Thorson, and AIRs Aaron Hughes and Mikey Kelly arrived or continued their visits, and I enjoyed getting to know them and work alongside them.

Staff changes and special mentions. New Studio Manager, Ben Engle, is upbeat and enthusiastic about printmaking and helping people. Artist Program Manager Carrie Hott is leaving to pursue other things (check out her show at Mills College Art Museum through August 28).

Kala is a special place, run by extraordinarily dedicated people. For example, I needed to borrow a table from Southern Exposure (thanks SoEx and Val!), and Art Sales Manager Andrea Voinot picked it up on her day off. I feel indebted to Kala and the people whose labor, energy and generosity make it work.

Deadlines. My prior stint involved experimenting to learn techniques. But for this visit, I had to focus on finishing work for the show. The numerous steps involved in my project—preparing the art, printing, binding, sewing, installation—quickly became an unyielding reality I had to cope with.

I think I could have scheduled my production a bit more strategically, especially when it came to collaborations. I felt like I was running out of time. As an art handler, I felt that my work should have been done ahead of the installation period. But as an artist, I realized that this is all new work—quite a bit of it, with an involved installation, and it’s not the same thing as installing existing works.

Thankfully, I received assistance with perforation, lighting, and photography from interns Katrina and Sean, and sewing assistance from my mom, Sophia Wong.


Mom proudly sports the apron she just finished sewing in the artist’s project space at Kala.


Detail of a lab coat sewn by Mom.


Work/life balance. As with other residencies, I got really invested in productivity. I was often at the printshop by 7am—partly to beat the bridge traffic, and partly to get things done (aided by starting out on East Coast time). I made the most of my time at Kala, but I can’t say the same about the Bay Area…

Early mornings in the printshop.

Early mornings in the printshop.

I could have been more present for family and friends, been a more patient and kind collaborator, seen more art (especially the new SFMOMA, Ed Ruscha show at the DeYoung, Torreya Cummings’ installation at the Oakland Museum, Postscripts to Revolution at Southern Exposure, and Bizarre Bazaar at Root Division) and spared myself some of the 12-(up to 15.5-)hour days. It’s paradoxical to sacrifice relationships to make art about interdependence. But I’m not sure what I could have changed, if I had the chance to do it again. There’s only so many hours in the day, and it was already a privilege (as well as financial and marital stretches) to be away so long.

Interdependent, communal spaces. At Kala, I thought about Elizabeth Travelslight‘s description of being a co-op member in CO-LABORATION:

It becomes quite habitual—you get in the habit of seeing people fully and being seen fully.

That was how I felt at Kala. The collective ethos there can be enlivened with little effort, mainly greeting people, communicating openly, and generally having faith in others. I had to adopt these attitudes and behaviors (it felt almost Midwestern…). I felt welcomed and very much like a thread in the social fabric. Colleagues were encouraging, helpful, and friendly. Even with my middling technique, I was accepted… It was validating.


With the help of LR, I realized that these are the same feelings I felt at gyms Pacific Ring Sports and Fight and Fitness this summer, and are the same motivations for training amongst others. I hadn’t realized the connection until LR visited PRS and pointed out how members can similarly cultivate a spirit of mutual respect and encouragement. That validation grew my sense of value within these communities, which can become like chosen families. To be encouraged to keep training, and to come back anytime by people who’d easily submitted me, or who I’d accidentally headbutted, melts my heart. It’s about sportsmanship, but moreover, shared experiences of hard work and growth. These gyms and Kala provided opportunities to be humbled, to develop new skills and new friends, to be accepted, and to be grateful. I felt my sense of value and integrity being grounded by being seen and seeing others, and gained lived experiences of ordering aspects of life interdependently.]


The head coaches at Pacific Ring and Fight and Fitness were all from Fairtex, whose SF gym has since dissolved. I started out there too, about 15 years ago. After a hiatus following my move to NYC, I’m revitalizing my appreciation for the development and relationships gained through this type of training. The Bay Area has an embarrassment of riches when it comes to quality muay thai and BJJ training; I recommend residents avail themselves to it.