Research

Brené Brown on Shame, Racism, Accountability, and Armoring Up

Shame and belonging researcher Brené Brown spoke specifically to white people confronting racism and their own feelings of shame in a terrific podcast episode (“Brené on Shame and Accountability,” Unlocking Us, July 1, 2020).

There’s a lot in here that resonates with the current moment—resistance to antiracism and white racial resentment—as well and a central question in my art and life: “How do you keep your heart open?”

Racism and Shame

“…being held accountable for racism and feeling shame is not the same thing as being shamed…. We need to understand the difference between being held accountable for racism and experiencing shame as a result of that accountability, and how that’s different than actually being shamed for being a racist.”

Shame vs Guilt (focus on personal flaw vs behavior)

“We think that shaming is this great moral compass, that we can shame people into being better. But that’s not true. …everyone needs a platform of self-worth from which to see change. You can’t shame people into being better, and in fact, when we see people apologizing, making amends, changing their behavior, that is always around guilt…. We feel guilt when we hold something we’ve done or failed to do up against our values, they don’t match up, it’s uncomfortable, but it’s helpful. It’s a positive, socially adaptive experience [which] motivates meaningful change. It’s as powerful as shame, but its influence is positive, while shame’s is destructive.”

Shame as a Social Justice Tool

“…shame is not an effective social justice tool. … Shame is a tool of oppression. Shame is a tool of white supremacy. Humiliation, belittling, those are tools of injustice; they’re not tools for justice. First, shame corrodes the belief that we can be better and do better, and it’s much more likely to be the cause of dangerous and destructive behaviors than the cure. … Shame itself is inherently dehumanizing.”

Self-regulation and Antiracism

“…there’s a huge difference between being shamed for being a racist and feeling shame. And it’s our responsibility for experiencing and regulating our own emotions. It’s my job to regulate my emotion, move through shame in a productive way, without defensiveness, without doubling down, without rationalizing, without demanding to be taught, demanding absolution, demanding comfort from the person who’s holding us accountable, which is often a Black person or a person of color. I’m responsible for that emotional regulation.”

Armor Is the Greatest Barrier to Courage

“…the greatest barrier to courage is not fear. The greatest barrier to courage is armor, is how we self-protect when we’re afraid. And I studied the arming-up process and just in preparation for this podcast, did I realize that this armoring-up process is so applicable to white supremacy.

So let me go through the six stages of armoring-up…

So number one … building the armor: “I’m not enough.” Number two: If I’m honest with them about what’s happening, they’ll think less of me, or maybe even use it against me. … Number three: “No way am I going to be honest about this. No one else does it. Why do I have to put myself out there?” Number four: “Yeah, you know what, screw them. I don’t see them being honest about what scares them…” Number five: “You know what? This is actually their problem. This is their shortcomings that make them act this way, this is their ultra-sensitivity…” Number six: “In fact, now that I think about this, I’m actually better than them.”

…“I’m better than people” and “I’m not enough” is the exact same standing still position of pain and shame.”

Standard
Sights

wanted: machine to clone and transport

First Stop: London

I’d love to skip back over the pond to attend the Frieze Art Fair next week in London. Yes, it is a marriage of art and commerce, but it’s also more than that — newly commissioned art projects, featuring the fabulous Stephanie Syjuco, the delightfully perplexing Ryan Gander, and a fellow named Mike Bouchet, whose project involves hiring a motivational speaker to address an audience at the Frieze Talkslove it! There’s also a programme of killer talks, including a Q&A with John Baldessari, a lecture by James Elkins (the esteemed author from Art Institute of Chicago, who I’ve posted about before) as well as a timely talk on the role of state funding for the arts in a recession.

I’d leave my Clone in San Francisco

Of course, I’d have to clone myself first, so I could also be here in San Francisco for Southern Exposure‘s Grand Opening and the opening of the exhibition, Bellwether. The exhibition is shaping up really nicely, with a huge site-specific balsa wood installation by Reneé Gertler, a DIY survivalist’s shed by Whitney Lynn, an outpost for Lordy Rodriguez’ First Colony, among others. I’m also really looking forward to Liz Glynn‘s Banner Year project, which sweetly reminds me of Jeremy Deller’s Procession in Manchester this summer. Don’t miss the festivities October 16 and 17, at 20th and Alabama Streets.

Next Stop: New York

Then, after that, I’d attend Three Pieces, a one-night multidisciplinary event at PPOW Gallery in Chelsea, where Color&Color, a new publication by Amanda Curreri and Erik Scollon, will be unveiled (along with a work of sound and a work of language/performance. I submitted two images to the inaugural publication — can’t wait to see it.

I’d stick around in NYC for another night to attend The Creative Time Summit at the NY Public Library, which is kind of like a TED Talk for contemporary art. There are so many huge names on the roster, like Alfredo Jaar, Mel Chin, Liam Gillick, Julieta Aranda, the list goes on and on…

A recommended virtual stop: Los Angeles Times art review

200910_latimes_ollman_216x236

Of course, if I had a transporter, I could save myself a lot of staring at the I-5. Since we haven’t got one — yet! — we could have a look at Leah Ollman’s L.A. Times review of Palimpsests, a three-person exhibition I’m in at Tarryn Teresa Gallery through October 29th.

Standard