Impressions

Impressions: Bay Area

Some art shows I saw in San Francisco and Oakland.

When I visit California during holidays, I recall the familiar, discover what’s changed, and encounter weird schedules. It’s catch as catch can.

Baby (Medium for Intercultural Navigation): An installation by Michael Arcega @ SFAC Grove Street. Kids dream of floating down a river, and MA has made a real outrigger sailing canoe. It works. Hope you got to ogle it, suspended in flight.

The Point: Kirk Crippens in Collaboration with the Bayview-Hunters Point Community @ SF City Hall The SF Arts Commission’s humanizing portrait series continues, and currently ties in to The Last Black Man in San Francisco moment.

Here’s an interesting line-up of spaces to visit back-to-back: Kiria Koula (nice fluorescent white cube with cool, linear, geometric interventions), the expanded Ratio 3 (terrifyingly perfect and high-ceilinged white cube with hard edged, linear, oft black-and-white interior design and architectural installations) and CULT/Aimee Friberg (b/w architectural interventions/wall paintings/geometric sculptures).

Stephanie Syjuco @ Workshop Residence. A combination of things difficult not to like: a residency, workshop, and artist’s multiple store, with very desirable objects. Even shopping-agnostic-I couldn’t resist a tote bag to support the artist and program. The price points were mostly out of my range, but nobody said that manufacturing things in SF would be cheap.

Dud: Oakland Black Friday. I tried not to spend money, out of respect for Ferguson, and lingering memories of Adbusters’ Buy Nothing Day. I had some help—parking meters were free thanks to “Plaid Friday” (Is the Oakland Chamber of Commerce targeting lumber-sexuals?) and Arizmendi was closed (in an almost-throwback against the creep of retail hours into the holidays). But I was only able to visit three of four galleries on my list. Admittedly, I failed to look closely enough at their websites to see if they were, indeed, actually open. So Royal Nonesuch Gallery, Random Parts, and City Limits Gallery, I guess I’ll have to check you out another time. Thanks, Johannson Projects, for opening your doors.

Standard
Art & Development

Recent, future, random

A random round-up of things I’ve seen or are looking forward to:

RECENT

Robert Irwin‘s rambling, 50-MPH monologue at Mills College. I couldn’t sum up what he said — comparing Modernism to a cup of Coke, and proposing an array of realms of art rather than a hierarchical pyramid — but I’m pretty sure it was brilliant. I should probably re-visit Lawrence Weschler’s biography of Robert Irwin, Seeing is Forgetting the Name of the Thing One Sees after all the other books I’m reading, or intending to read (Ranciere’s The Future of The Image and Beyond Visual Perspective by Gaetano Curreri-Alibrand. Yikes!). Cheers to Mills for bringing such an influential and erudite artist to the East Bay.

Valentine’s Day Celebration at Glide Memorial Church.
I’ve lived in the Bay Area all my life, but I am taking time to appreciate quintessentially San Franciscan experiences like visiting Glide, a Unitarian church whose openness, political activism and community service is a prime example of powerful faith-based progressive work. M and I attended the service on the suggestion of a friend, who was performing an excerpt of The Erica Chong Shuch Performance ProjectsLove Everywhere, a beautiful, tender dance/theater/music performance on love and marriage equality—the civil rights struggle of our time. It was really profound to have the time and space to celebrate love in all of its manifestations—unconditional love, the love of one’s community, to love fiercely and courageously—on Valentine’s Day. (How many red teddy bears does anyone need anyway?) More often, what’s needed is a reminder to look beyond your immediate situation towards community, and to be in spaces where you are accepted as you are. To love and be beloved.

Collaborative installation by Chris Bell, Elaine Buckholtz, and Floor Van Herreweghe at SF Arts Commission Window Space, 155 Grove Street, San Francisco
For Chain Reaction 11, artists were invited to nominate other artists to exhibit at SFAC. One chain went beyond the call and developed a collaborative installation that fills the window site with a sculpture, video and light work, and spills onto Grove with a moody, Sam Shepard-esque musical component. It’s wonderfully unexpected and surreal, and it’s one of my favorite art things that I’ve seen of late. I urge you to visit it, especially at nighttime. It’s on view 24/7 at 155 Grove Street through May 16.

Future

Friday, February 19, 7-10pm: Opening Reception
Blow As Deep As You Want to Blow: New Work by Michelle Blade

Triple Base, 3041 — 24th Street, San Francisco
Exhibition: February 19 – March 21, 2010

Weird bad paintings; don’t come to this if you leave your sense of humor at home.
Denim on Ice: paintings by Keith Boadwee / Erin Allen / Isaac Gray
Steven Wolf Fine Arts, 49 Geary St., Suite 411, San Francisco
Exhibition: February 19 – Mar 20, 2010

Standard