Impressions

Impressions: Bay Area

Some art shows I saw in San Francisco and Oakland.

When I visit California during holidays, I recall the familiar, discover what’s changed, and encounter weird schedules. It’s catch as catch can.

Baby (Medium for Intercultural Navigation): An installation by Michael Arcega @ SFAC Grove Street. Kids dream of floating down a river, and MA has made a real outrigger sailing canoe. It works. Hope you got to ogle it, suspended in flight.

The Point: Kirk Crippens in Collaboration with the Bayview-Hunters Point Community @ SF City Hall The SF Arts Commission’s humanizing portrait series continues, and currently ties in to The Last Black Man in San Francisco moment.

Here’s an interesting line-up of spaces to visit back-to-back: Kiria Koula (nice fluorescent white cube with cool, linear, geometric interventions), the expanded Ratio 3 (terrifyingly perfect and high-ceilinged white cube with hard edged, linear, oft black-and-white interior design and architectural installations) and CULT/Aimee Friberg (b/w architectural interventions/wall paintings/geometric sculptures).

Stephanie Syjuco @ Workshop Residence. A combination of things difficult not to like: a residency, workshop, and artist’s multiple store, with very desirable objects. Even shopping-agnostic-I couldn’t resist a tote bag to support the artist and program. The price points were mostly out of my range, but nobody said that manufacturing things in SF would be cheap.

Dud: Oakland Black Friday. I tried not to spend money, out of respect for Ferguson, and lingering memories of Adbusters’ Buy Nothing Day. I had some help—parking meters were free thanks to “Plaid Friday” (Is the Oakland Chamber of Commerce targeting lumber-sexuals?) and Arizmendi was closed (in an almost-throwback against the creep of retail hours into the holidays). But I was only able to visit three of four galleries on my list. Admittedly, I failed to look closely enough at their websites to see if they were, indeed, actually open. So Royal Nonesuch Gallery, Random Parts, and City Limits Gallery, I guess I’ll have to check you out another time. Thanks, Johannson Projects, for opening your doors.

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Art & Development, Community

Artist-curated shows and alumni notes

Summer is supposed to be the low season for art, but this is San Francisco and we don’t summer in the Hamptons; the fog rolls in just the same. A few galleries have mixed up their programming with artist-curated shows.

“They Knew What They Wanted”
Katy Grannan, Shannon Ebner, Jordan Kantor and Robert Bechtle curates selections from Altman-Siegal, Fraenkel, Berggruen and Ratio 3. Go see this show for insights into four interesting artist-curators, pictures and objects you wouldn’t normally get to see, and some really great works, including a communal ballpoint pen drawing initiated by Arte Povera artist Alighero e Boetti at Ratio 3.

A similar work by Alighero e Boetti, Mettere al mondo il mondo 1972 -73 penna biro blu su carta intelata 2 elementi, cm 159 X 164 cad. Source: Archivo Alighero Boetti.

If you aren’t familiar with Boetti’s work, have a look at the virtual tour at Archivo Alighero Boetti.

Over at Patricia Sweetow Gallery, abstract painter Kim Anno curates a group show called “Everyday Mystics.” I wish I could have made out the images in Ricardo Rivera‘s projections on and alongside reflective objects like helmets and metal cups. The idea was neat. I overheard the owner mentioning something about the work being about communicating with outer space, so I figured it’s just as well I couldn’t tell what was going on, since I’m not the intended audience. The MP3 player embedded in the center of a spinning turntable is crafty and chuckle-worthy.

Ali Naschke-Messing‘s thread installations shined with glitter and glowed with fluorescence. Two large floor-to-ceiling works that exploited incidental marks and holes in the existing architecture. A series of wall-based works, which incorporated some sort of putty or plaster, were striking in their simplicity and efficacy. The works are formal investigations of site and form and volume; they’re also catalysts for subtle perceptual experiences. From a distance (and in photographs), the works are almost imperceptible; I almost didn’t see one until it was right in front of me. In person—and particularly with PSG’s abundant afternoon light—the density of thread creates vibrancy. They are more materially substantial than Fred Sandback‘s string intallations, but not by much.

Suné Woods contributes some moving black and white photographs whose imagery is memorably unstable.

Woods is a recent MFAs from CCA (class of 2010). Naschke-Messing was my classmate (class of 2007); I’m proud to have studied alongside so many bright, hardworking, curious, supportive and respectful artists. They change directions, start new projects, stay connected, and keep showing. This summer, shows around town by my classmates include:

Lindsey White: Equivalent Exposures install at Baer Ridgway Exhibitions, Source: http://www.baerridgway.com/

Through July 17
Lindsey White: “Equivalent Exposures”
Quietly humorous and deceptively simple photographs, videos and sculpture
Baer Ridgeway, SOMA, SF

Through July 25
Robin Johnston : “meditations on space and time” (two-person show with Chelsea Pegram, Mills MFA candidate)
Data-driven weavings and drawings
Swarm Gallery, Oakland

Just closed July 10
Amanda Curreri: “Occupy The Empty”
Installation, text, video, participation
Ping Pong Gallery, Dogpatch, SF

Opens July 16
Erik Scollon: “The Urge”
Queer porcelain fetish-based installation
Ping Pong Gallery, Dogpatch, SF

And internationally, new media artist David Gurman is a 2010 TEDGlobal Fellow, participating in the technology and ideas conference in Oxford, UK.

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