Sights

See: Art Season again

Though it feels like the dead of winter, there are lots of art shows and events on the horizon, on both coasts. 

Ortega y Gasset, the artist’s collective I am in, will have a new home at the Old American Can Factory in Gowanus! Exciting exhibitions are lined up for this Spring. Don’t miss them; sign up for updates!

3/13–4/12: Thinking & Touching Time, curated by Zahar Vaks, Ortega y Gasset Projects @ Old American Can Factory, Gowanus, Brooklyn

2015: Land and Sea’s project space, Oakland, CA:

AS A SPACE, LAND AND SEA WILL TAKE A STANCE TO LEVEL THE PLAYING FIELD, BY USING OUR LITTLE PLATFORM TO PRIMARILY PRESENT WOMEN, LGBTQ AND FOLKS OF COLOR. ITS OAKLAND. ITS 2015. LETS SEE WHAT HAPPENS.

 

Little Syria Parade, in  Lower Manhattan’s first Arab-American neighborhood, envisioning an early-20th century Manhattan skyline.

Little Syria Parade, in Lower Manhattan’s first Arab-American neighborhood, envisioning an early-20th century Manhattan skyline.

2/25: Edge of Arabia presents Brian Zegeer’Little Syria Parade, Lower Manhattan
2/27–3/27: Michelle Blade: If the Spirit Moves You @ ‘Pataphysical Society, Portland, OR

2/28: Art + Process + Ideas (A+P+I) residency Open House at Mills College, Oakland, CA

 

Works on paper by Anthony Ryan (left) and Annie Vought (right).

Works on paper by Anthony Ryan (left) and Annie Vought (right).

3/6–28: Annie Vought & Anthony Ryan @ Adobe Books Backroom Gallery, San Francisco

Through 3/8: Trajectory @ Van Der Plas Gallery, LES, NYC

Through 3/19: Hydrarchy: Power, Globalization, and the Sea @ SF State Fine Arts Gallery, organized by Mike Arcega

 

WhoWeBe_Superpanel_flyer

4/4: Who We Be: Superpanel on Art, Protest and Racial Justice, with Jeff Chang, Alicia Garza, Ben Davis, Steven W. Thrasher, and Christian L. Frock, moderated by Elizabeth Travelslight, Bay Area Society for Art and Activism @ San Francisco Main Library

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Art & Development

Recent, future, random

A random round-up of things I’ve seen or are looking forward to:

RECENT

Robert Irwin‘s rambling, 50-MPH monologue at Mills College. I couldn’t sum up what he said — comparing Modernism to a cup of Coke, and proposing an array of realms of art rather than a hierarchical pyramid — but I’m pretty sure it was brilliant. I should probably re-visit Lawrence Weschler’s biography of Robert Irwin, Seeing is Forgetting the Name of the Thing One Sees after all the other books I’m reading, or intending to read (Ranciere’s The Future of The Image and Beyond Visual Perspective by Gaetano Curreri-Alibrand. Yikes!). Cheers to Mills for bringing such an influential and erudite artist to the East Bay.

Valentine’s Day Celebration at Glide Memorial Church.
I’ve lived in the Bay Area all my life, but I am taking time to appreciate quintessentially San Franciscan experiences like visiting Glide, a Unitarian church whose openness, political activism and community service is a prime example of powerful faith-based progressive work. M and I attended the service on the suggestion of a friend, who was performing an excerpt of The Erica Chong Shuch Performance ProjectsLove Everywhere, a beautiful, tender dance/theater/music performance on love and marriage equality—the civil rights struggle of our time. It was really profound to have the time and space to celebrate love in all of its manifestations—unconditional love, the love of one’s community, to love fiercely and courageously—on Valentine’s Day. (How many red teddy bears does anyone need anyway?) More often, what’s needed is a reminder to look beyond your immediate situation towards community, and to be in spaces where you are accepted as you are. To love and be beloved.

Collaborative installation by Chris Bell, Elaine Buckholtz, and Floor Van Herreweghe at SF Arts Commission Window Space, 155 Grove Street, San Francisco
For Chain Reaction 11, artists were invited to nominate other artists to exhibit at SFAC. One chain went beyond the call and developed a collaborative installation that fills the window site with a sculpture, video and light work, and spills onto Grove with a moody, Sam Shepard-esque musical component. It’s wonderfully unexpected and surreal, and it’s one of my favorite art things that I’ve seen of late. I urge you to visit it, especially at nighttime. It’s on view 24/7 at 155 Grove Street through May 16.

Future

Friday, February 19, 7-10pm: Opening Reception
Blow As Deep As You Want to Blow: New Work by Michelle Blade

Triple Base, 3041 — 24th Street, San Francisco
Exhibition: February 19 – March 21, 2010

Weird bad paintings; don’t come to this if you leave your sense of humor at home.
Denim on Ice: paintings by Keith Boadwee / Erin Allen / Isaac Gray
Steven Wolf Fine Arts, 49 Geary St., Suite 411, San Francisco
Exhibition: February 19 – Mar 20, 2010

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