Meta-Practice

Home Studio 360

In a recent post, I urged working artists to value ourselves and our practices independent of commercial validation.

It’s easier to say than do. Here’s a case in point:

Because I have a hang-up that I might be perceived as a less serious artist since I work from home, I’ve never posted pics of my current studio.

Until now. 

Studio panorama. Pretty nice to have light and fresh air. The windows face out to a covered porch, where I've done a little bit of woodworking.

Studio panorama. Pretty nice to have light and fresh air. The windows face out to a covered porch, where I’ve done a little bit of woodworking.

I'm sewing the VIA signal flag project these days. I put up some ribbons on the walls so I can pin things up without constantly making new holes in the walls. Leftover insulation foam from a packing project has been turned into another pinboard for swatches (at left).

I’m sewing the VIA signal flag project these days. I put up some ribbons on the walls so I can pin things up without constantly making new holes in the walls. Leftover insulation foam from a packing project has been turned into another pinboard for swatches (at left).

I'm guessing this map is from the 1970s. It's fun to think about all the places I've yet to visit in this huge, amazing country.

I’m guessing this map is from the 1970s. It’s fun to think about all the places I’ve yet to visit in this huge, amazing country.

As far as I'm concerned, books, artist's tape, and colorful pens are non-negotiable.

Pegboard’s irresistible promise of organization.

As far as I'm concerned, books, artist's tape, and colorful pens are non-negotiable.

As far as I’m concerned, books, artist’s tape, and colorful pens are non-negotiable.

Though I would rather have a studio outside the home, I have to admit—the convenience of a home studio is a big plus. Working from home, I’ll never have to eat a Trader Joe’s MRI or bodega junk food. I’ll never have to commute just to get the dimensions of a work of art or pick up a ruler. Other artists’ dusts, fumes, music and garbage are non-issues. Late at night, I don’t have to get creeped out in an empty building or desolate neighborhood. I get to use a full kitchen and clean bathroom! I never suffer the consequences of leaving materials or references at “home,” and bringing a fan or air conditioner, or scarf or jacket, takes all of 30 seconds.

According to the W.A.G.E. survey, 45.8% of artist-respondents reported that they don’t rent studios outside of their own residences, either. So I’m far from alone in managing my resources this way. My fears were based on assumptions of what a serious artist should be doing. But as Creative Capital mentors have said,

Artists! Don’t should all over yourself.

I’d love a bigger, more flexible studio one day, but for now, my little home studio is not too bad—and now that I think about it, it’s pretty great. I’ll try to take my own advice and Be Here Now.

WF made me this awesome trophy.

W made me this awesome trophy. Be here now!

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Artists

Life Models: Isabel and Rubén Toledo

For some, a charmed existence is a farmhouse in a rolling pastoral with kids. For others, it may be an airy, industrial live-work loft on Broadway in Manhattan for a creative husband-and-wife (or better put, wife-and-husband) team. The latter is Isabel and Rubén Toledo’s life. They have four floors; one is Rubén’s painting studio, and the other three are for Isabel’s fashion design studio and production. More importantly, they collaborate and they’re passionately in love, gently finishing each others’ sentences on a recent episode of Studio 360.* This is the kind of love story that makes my heart ache.

I’ve had quite a few conversations with other female artists about how to balance life and work, especially when that work is a creative passion without any guarantee of remuneration. I’ve even found myself co-miserating that romantic love and artistic passion might be incompatible. But two people grow and change, and while you can’t always pedal at the same speed in the same direction, we have to be grateful for the times we catch up and cruise alongside our mates. The Toledos’ story is an immigrant success story, an American fashion legend, a tale of love. If you’re not familiar with it, peep this 2008 profile in the New Yorker:

She does the cooking in a tiny alcove, and he brews the Cuban coffee. They have Sunday brunch together, lingering over it for hours, and at night, if they don’t feel like going out, Ruben said, “we put some cha-cha or rumba music on and boogie around by ourselves. We’re both great dancers.”

Adorable.

*I know, two posts in a row inspired by public radio. Take heart—heavy podcast usage, for me, indicates intensive studio production.  I also loved this quote from Rubén Toledo on Studio 360:

We’re not buyers and sellers, we’re makers.

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Research

everyday objects / significant objects

Significant Objects, Joshua Glenn, Ed. Source: Amazon.com.

Significant Objects, Joshua Glenn, Ed. Source: Amazon.com.

A few weeks ago, I mused about a zeitgeist of everyday objects as containers for sentiment. Since then, WNYC’s Studio 360 program aired a segment and a short story contest, “In Search of Significant Objects.” It was inspired by a new book, Significant Objects, due out July 2, 2012. What is this about? The authentic, mundane, intimate, analog, in reaction to increasingly digital/virtual/distant/homogenized experiences? Is it this: remix culture –> we-are-all-curators / personal brand managers –> narcissists of small differences = We are all becoming Miranda Julys?

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