About

I'm a visual artist obsessed with optimism. Originally from California, now living in New York. This is a space where I think through and share notes on art, art worlds, transparency, positive psychology, and my process.

Learn more about me and see my work at ChristineWongYap.com.

Recent Posts

Read: On Portraiture, an Artist-in-Residence Program, and Who Belongs
LMCC Workspace Residency: Update #1: What, Who, Where, When, How, Why, and What I’ve Been Up To
Art Competition Odds: Lighthouse Works’ 2020 Spring and Summer Fellowship Program
Top Seven: Syllabus, Glass Blowing, Parasite, Color Pen
Twelve Months in Art Competitions, 2018-2019
Resilience through Sports Psychology, Heartbreak, and Mindfulness
See: Maurice Sendak at the Morgan Library
More Notes from a Juror

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#510 nostalgia courtesy of @adriantomine's graphic novel, Shortcomings (2007). From Drawn & Quarterly Press, by way of @qplnyc .. College Ave, Pendragon books, Moe's Books on Telegraph, The Alley on Grand, Juan's. Wow. Place, memory, belonging. Places that are still there, and some now gone... .. #Oakland #berkeley

Here’s something to think about: longevity and art practice generally. Vija Celmins, at age 26, painted this lamp (image 1). Fifteen years later, this painting was in her first museum retrospective. Every month when I open my storage unit bill, a tiny part of me wonders if or when the work inside will be exhibited. So I imagined 15 years of storage unit bills, and how back then it must have been validating to have a retrospective. But look now! Fifty years later, how lucky are we as viewers to be able to view this work in the Met Breuer. How important it was for Celmins to persevere, to believe in herself, and for others to believe in her, so this work was preserved, cared for, and lent back to the museum, now. .. Here’s something else to think about: longevity and looking… Back in undergrad, my printmaking professor Ken Rignall (rest in power) took a class to @oaklandmuseumca and had us spend some time looking at this painting of a fan (image 2). In his own work, Ken painted in grays and blacks, and so he taught us to see beyond the seeming neutralness, to understand that ALL COLORS can make up grays and blacks. I returned to this painting over the years on my visits to OMCA, but only at the Met (20+ years after first encountering this work) did I realize it was by Vija Celmins. .. One more thing: the longevity of a practice... I love Vija Celmin’s work, it’s startling in is realism. At the retrospective, it’s also impressive how constant she has been in her career. And I love seeing the work of a contemporary female artist, who worked in modest scales, celebrated like this. .. Vija Celmins at the Met Breuer (@metmuseum) closes January 12. It is truly amazing. Highly recommended. .. Image descriptions. Image 1: A realistic painting of a double lamp, with the goosenecks turning the bulbs toward the viewer, rendered in warm grays. Image 2: A realistic painting of a vintage electric metal fan, on a flat dark grey background. Image 3: A realistic graphite drawing of clouds, seen from below, with sunlight.

I just finished notebook number 44: 250 pages in 2 months with #calligraphy practice ✍️🎀, notes on #positivepsychology 🤓, #sketches for projects to make 🧵🎨🖌️ at the @lmcc_nyc Workspace studio. .. I love a #dotgrid. .. #leuchtturm1917

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On Be(com)ing an Artist, Citizen and Arts Community member, by Christine Wong Yap

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Tag Archives: Pierogi 2000

Bob and Roberta Smith, Art Does Real and Permanent Good 2011, enamel on found material, 8.5 x 12 x 1 inches

Bob and Roberta Smith, Art Does Real and Permanent Good, 2011, enamel on found material, 8.5 x 12 x 1 inches // Source: Pierogi2000.com.

Bob and Roberta Smith, Art Does Real and Permanent Good, 2011

April 3, 2014cwongyapBob and Roberta Smith, inspiration, Optimism, Pierogi 2000, The Art Party Leave a comment Image

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