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See: Bay Area Now 7, opens Friday

Very excited for dear friends presenting new works.

July 18–October 5, 2014
Bay Area Now 7
ybca, San Francisco

There’s a lot of reasons to be excited for BAN7, but I’d like to personally cheer these folks:

Susan O’Malley and Leah Rosenberg (by invitation of Montalvo Arts Center). Find your center and then get a little de-centered at their event-specific cocktails on July 24, from 6-8pm.

Susan O'Malley and Leah Rosenberg, Find Your Center, Montalvo Arts Center at ybca.

Susan O’Malley and Leah Rosenberg, installation of Find Your Center, Montalvo Arts Center at ybca. Source: Susan and Leah.

This, unbelievably, is happening at ybca:

Bay Area Art Workers’ Alliance

Bay Area Art Workers Alliance presents an exhibition of works by preparators addressing the invisible labor, aesthetic vocabulary, and materials that art workers use when they install and care for the precious objects that give value to institutions like YBCA. …

Each of these 50 new art works are constructed using on-the-job materials informed by vantages of the preparator — behind the painting, during the paperwork, inside the crate, from truck to office to gallery — that happen between, in proximity to, and in spite of the finished exhibition.

In the collaborative spirit of the profession, BAAWA will present works generated by preparators with a strategic focus on the collective work of a community rather than one single author.

BAAWA’s site: http://www.bayareaartworkersalliance.org

I really wished that I could have attended the Tate Modern’s No Soul For Sale fair of alternative and artist-run spaces, so when I heard that BAN7’s distributed curatorial model was inspired by NSFS, I was intrigued. The featured organizations cut a broad cross-section of the Bay Area art scene. In fact, I’m not familiar with some of them—either they’d begun around or after I left SF for NYC, or they were in entirely different networks. For a scene as small and tightly-knit as the Bay Area, this chance for BAN to present new spaces, artists and ideas is really exciting. It’s easy to knock bi- and triennials, but when the curatorial authorship reflects smaller art organizations, I hope audiences attend with a more open mindset.

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Community

Bay Area GOOD-BAD-GOOD

Ripple effects of negative affects and positive actions from the San Francisco Bay Area.

[GOOD] Finally, a critical mass of media attention on San Francisco’s tech-boom/gentrification crisis

 

[BAD] …which means constantly hearing news that is sad (or bitter, angry, antagonistic, mournful, etc.)… and sometimes relating to that news:

“People ask me, ‘Aren’t you going to miss the Bay Area?’ And I say that I already do. It’s not the same Bay Area it once was before.”

—Walter Robinson, as quoted by Christian L. Frock, “Priced Out: San Francisco’s Changing Values and Artist Exodus,” KQED Arts, April 3, 2014.
Edward Ruscha,  OOF, 1962, Oil on canvasDimensions, 71 1/2 x 67" // Source: Moma.org.

Edward Ruscha, OOF, 1962, Oil on canvasDimensions, 71 1/2 x 67″ // Source: Moma.org.

[GOOD / GET EXCITED] There seems to be a funneling of energy into thinking about art as it relates to economics. Get excited for this:

Michele Bock // Source: arts.berkeley.edu. I am an artist.  This does not mean I will work for free.  I have bills just like you do.  Thank you for understanding.

Michele Bock // Source: arts.berkeley.edu.

Valuing Labor in the Arts: A Practicum
April 19, 2014

…ARC will present Valuing Labor in the Arts: A Practicum. This event will include a series of artist-led workshops that develop exercises, prompts, or actions that engage questions of art, labor, and economics; it will also include a series of commissioned writings by critics and researchers whose work focuses on artistic labor and cultural economies. …ARC will host artists, curators, and writers from the Bay Area, Los Angeles, New York and Chicago, to stage an intimate yet wide-ranging exploration about art and labor, about alternative economies in the arts, and about strategies for working in ever changing “art world” landscapes….

I’d totally go to this if I were in the Bay Area… In fact I’m sort of kicking myself that I’m not there for this. But alas, I’ll make do with reviewing the materials online at the special issue of Art Practical, and on the forthcoming Compensation Foundation,

“a public, online, open-source platform for collecting, sharing, and analyzing how contingent workers are compensated.”

Bay Area Art Workers Alliance.

And…. I’m thrilled to help promote the Bay Area Art Worker’s Alliance‘s call for participation, for preparators, art installers, and art handlers  to contribute to an exhibition in YBCA’s Bay Area Now triennial. These invisible roles in the making of art exhibitions, which are on-call, part-time, financially and sometimes physically precarious, are finally getting some much-needed recognition from this institution. Deadline: May 15. Spread the word!

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