Citizenship, Meta-Practice

More on the Power of “No”

Artists, where is your line? How do you know you’ve crossed it? Are you prepared to do what’s necessary after you’ve crossed your line?

Artist Steve Lambert pledges to give away any prize money received from a right-wing, anti-civil rights family whose fortunes are made in pyramid schemes and the military industrial complex.

So today I pledged, if I win I will not keep any of the money. I will hand over all my award money to the LGBT Fund of Grand Rapids. I will also volunteer to come back to Grand Rapids with the Center for Artistic Activism to work with LGBT to fight for equality.

The reason I became an artist is because I believe it helps create free human beings. It can show us other ways of looking at the world, other ways the world can be. It makes us more empathetic, more understanding, and more open. It helps us grow. I think the money behind ArtPrize is working against, what I see as, the spirit of art itself.

http://visitsteve.com/news/no-thanks-artprize/

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Make Things (Happen), News

10/16-11/26: Make Things (Happen) in Social in Practice @ NYU Tisch

October 16–November 29, 2014
Social in Practice: The Art of Collaboration
NYU Tisch School of the Arts Department of Photography and Imaging galleries

Gulf + Western Gallery (1st Floor) and 8th Floor Galleries @ DPI
721 Broadway at Waverly Place
New York, NY 10003
[Google Map]

Opening Reception: Thursday, October 16, 6-8pm

Gallery hours: M–F 9–7, Sat 12–5
Free and open to the public

Make Things (Happen) is a participatory project organized by Christine Wong Yap featuring 29 artist-created activity sheets to make things or make things happen.

Activity sheets freely available in Make Things (Happen) at Social in Practice at Nathan Cummings Foundation, NYC.

Activity sheets freely available in Make Things (Happen) at Social in Practice at Nathan Cummings Foundation, NYC.

Artists: Lauren F. Adams, Oliver Braid, Maurice Carlin, Kevin B. Chen, Torreya Cummings, Helen de Main, double zero, Bean Gilsdorf, Galeria Rusz, Sarrita Hunn, Maria Hupfield, Nick Lally, Justin Langlois, Justin Limoges, Jessica Longmore, Mail Order Brides/M.O.B., Meta Local Collaborative, Roy Meuwissen, Dionis Ortiz, Kristina Paabus, Piero Passacantando, Julie Perini, Risa Puno, Genevieve Quick, Pallavi Sen, Elisabeth Smolarz, Emilio Vavarella, David Gregory Wallace, Lexa Walsh.

makethings-happen.christinewongyap.com

 

 

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The Making of The Eve Of... Self-initiated Residency and Exhibition, a timeline flow chart after Alfred H. Barr, Jr.

Christine Wong Yap, The Making of The Eve Of… Self-initiated Residency and Exhibition, 2014. A timeline flow chart after Alfred H. Barr, Jr. [PDF]

Produced for the Open City/Art City panel, SOS ARTISTS: Strategies of Survival, curated and moderated by Christian L. Frock, and held at YBCA on October 4, 2014.

Meta-Practice, The Eve Of...

The Making of The Eve Of… Self-initiated Residency and Exhibition, a timeline flow chart

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News, The Eve Of...

10/4: The Eve Of… as Survival Strategies at Open City/Art City

The making of The Eve Of…, in diagrammatic and GIF forms.

The Making of The Eve Of... Self-Initiated Residency and Exhibition.

The Making of The Eve Of… Self-Initiated Residency and Exhibition.

Here’s a tiny teaser of a detailed diagram on the making of The Eve Of…; along with a narrated video, it’ll be presented this Saturday at Open City/Art City at YBCA. I’ll be there in spirit, but not in person. It’s too bad, as my other panelists, assembled by the formidable Christian L. Frock, are fantastic artists for whom I have tons of respect.

SOS ARTISTS: Strategies of Survival

Curated and Moderated by Christian L. Frock, Independent Writer, Curator and Educator
This interactive session will present strategies for developing self-made public opportunities for artists at all stages of development, with an emphasis on what is possible through autonomy and collaboration. In addition to the live event, documents relevant to the discussion will be available to freely view and share online at www.invisiblevenue.com

Participants:

  • Christian L. Frock, writer and curator, Invisible Venue: On creating public platforms through unconventional organizational partnerships
  • Jonn Herschend, artist and co-publisher, The Thing: On recent high profile commercial projects and creating equitable corporate collaborations with integrity
  • Ernest Jolly, artist and co-curator, ArtComplex, Oakland: On ArtComplex’s experimental exhibition model and creating opportunities within transitional real estate
  • Favianna Rodriguez, artist and activist, on producing multiples and direct studio sales to raise funds to advance larger projects
  • Stephanie Syjuco, artist and John Simon Guggenheim Memorial Foundation Visual Arts Fellow: On self-publishing her successful Guggenheim application, and transparency as a mode of working amidst competition
  • Christine Wong Yap, artist: On the development of her self-initiated New York residency and solo exhibition, and building new models of production in public spaces

More info at opencityartcity.tumblr.com.

That’s the brains of the thing. Here’s the behind-the-scenes braun:

The Eve Of... installation and deinstallation.

The Eve Of… installation and deinstallation.

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Art Competition Odds

art competition odds: 2015 Djerassi Artist Resident Program

The Djerassi Resident Artist Program received over 800 applications for 80 residency spots in 2015.

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Recipients comprise about 1:10, or 10% of applicants.

See past Djerassi odds: 2014, 2013.

See all Art Competition Odds.

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The Eve Of...

Some questions in advance of The Eve Of… Public Forum on 9/24

Mirror #1, 2014, wood, asphalt-based coating, light, acrylic, mirror, 13.625 x 13.625 x 5.5 inches / 34.6 x 34.6 x 14 cm

Mirror #1, 2014, wood, asphalt-based coating, light, acrylic, mirror, 13.625 x 13.625 x 5.5 inches / 34.6 x 34.6 x 14 cm

How is art experience intellectualized, and how is it intuited?

How are art- and exhibition-making guided by research? By emotions?

What are the poetics of perception?

How do modes of embodiment—embodied cognition, phenomenology, and the materializing of ideas or emotions into art objects—present paradoxes? How do we embrace contradictions?

Who is the disappearing artist? Who is the ego-less agent?

What’s so wrong with sentiment?

Why is mortality a thing that must be “confronted”? Who does it attract? Why?

How do you practice tolerating uncertainty?

What space is left for introspection?

What is the agency of an artist? How do we shape the art worlds we’d like to participate in?

On Wednesday, September 24, join a public forum featuring guest dialogist Andria Hickey, Public Art Fund Associate Curator, in conversation with artist Christine Wong Yap to discuss themes in and around The Eve Of…, a solo pop-up exhibition exploring “the disassembled self on the eve of re-organization.” You’re invited to participate in the dialogue with questions, comments, and provocations.

The Eve Of… Public Forum
Wednesday, September 24, 7–9 pm
Falchi Building, 31-00 47th Avenue, Long Island City, NY 11101 [Google Map]
7 to 33rd/Rawson Station; G/E to Court Square; N/Q/R to Queensboro/Queens Plaza
More info: theeveof.christinewongyap.com

Free and open to the public. Wheelchair accessible. Refreshments will be served.

The Eve Of… is supported by an Individual Artists grant from the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. 

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News, The Eve Of...

The Eve Of… is now on view!

With yesterday’s opening reception, The Eve Of… residency is officially over, and the exhibition is open to the public.

BZ & NM viewing Doorway, 2014, wood, vinyl, asphalt-based coating, lights, stands, gels, door: 82.5 x 33.5 x 5.5 inches / 210 x 85 x 14 cm

BZ & NM viewing Doorway, 2014, wood, vinyl, asphalt-based coating, lights, stands, gels, door: 82.5 x 33.5 x 5.5 inches / 210 x 85 x 14 cm. See more photos.

The changeover

The raw space that was my studio in August has been converted into a pop-up gallery. Though I last posted that changeover tasks are fun, I started running of steam this past week. The works were done, the walls painted, and the floors epoxied or sealed, but I still lots to do. And much involved climbing a too-short 8-foot ladder in a 18-foot-high space….

I figured out which works to include and how to place it in the oddly-shaped space with help from OM, especially his sage advice not to fight the architecture. I paid repeat visits to Artist and Craftsman Supply (a cool employee-owned business recently opened in LIC) for paper and tape to minimize light coming through the numerous windows. I also lit the works after multiple trips to get extension cords and light bulbs (so easy to take for granted at galleries) since only half the the space has working electrical outlets. I finally used some lighting gels—purchased for experimentation that didn’t go anywhere—to balance out the color of different light sources. And I spent a late night putting finishing touches on the space, including creating a storage closet (its small footprint relative to the amount of artworks, tools, and furniture it holds is a weirdly satisfying bonus).

Installation photos

I shot documentation photos with the assistance and good conversation of MH. I encourage you to visit the show in person, as many of the works allude to physical embodiment and are best experienced in person, but you can see photos if you’re unable to visit.

A journey self-started, but not traveled alone

Thanks to intrepid supporters who braved yesterday’s rain to attend the opening reception. I also want to send a big THANK YOU to the Queens Council on the Arts, the Falchi BuildingWhole Foods, and individuals who contributed guidance and assistance: Susan O’MalleyMel Day, Katie Tuss, Paul Kelterborn, Falchi Building staff, Gina Mazzone, Melissa Smith, Melissa Rachleff/Bronx Museum of the Arts’ Artists in the Marketplace, David Wallace, Maria Hupfield, Nyeema Morgan, Ohad MeromiHank Willis Thomas, and Michael Yap.

Now on view

The exhibition continues through 9/24.

Join me at a public forum featuring guest speaker Andria Hickey, Associate Curator, Public Art Fund
Wednesday, September 24, 7–9 pm

Or visit during gallery hours:
Wednesday, September 17, 12–3 pm
Saturday, September 20, 1–5 pm
Or by appointment by emailing theeveof @ christinewongyap.com.

Falchi Building, 31-00 47th Avenue, Long Island City, NY 11101 [Google Map]
Four blocks from the 7 train at 33rd/Rawson Station; also walkable from the E and G at Court Square, or the N, Q, or R at Queensboro/Queens Plaza.

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The Eve Of...
News

Opening Saturday 9/13: The Eve Of…

After a year of planning and several weeks as a self-initiated artist-in-residence, I’m excited to open a show of my work in a pop-up space I’m also running for this project. It’s been a huge endeavor and includes work in a new creative direction. Hope to see you there!

Christine Wong Yap: The Eve Of…
September 13–24, 2014
Falchi Building
31-00 47th Avenue, Long Island City, NY 11101
[Google Map]
(Four blocks from the 7 train at 33rd/Rawson Station)

The Eve of… is a new installation of sculptures and video examining uncertain psychological states. Inspired by the decisive moment after setbacks and before actions, the project explores the disassembled self on the eve of re-organization.

Mirrors, colored vinyl, Mylar, plastic bags, and asphalt-based paint are used to create props and scenes of light and darkness. Through such works, viewers may encounter their own reflections or shadows, or the incongruity of ineffable emotions and physical embodiment.

Opening reception:
Saturday, September 13, 5–7 pm
Refreshments will be served; victuals contributed by Whole Foods

Public forum:
Featuring guest speaker Andria Hickey, Associate Curator, Public Art Fund
Wednesday, September 24, 7–9 pm

Additional gallery hours:
Wednesday, September 17, 12–3 pm
Saturday, September 20, 1–5 pm
And by appointment by emailing theeveof @ christinewongyap.com.

All events are free, open to the public, and wheelchair accessible.

More info: theeveof.christinewongyap.com or theeveof @ christinewongyap.com.

The Eve Of… is supported by an Individual Artists grant from the Queens Council on the Arts with public funds from the New York City Department of Cultural Affairs in partnership with the City Council. Support from the Falchi Building and Whole Foods is also gratefully acknowledged.

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