Sao Paolo-based Carla Zaccagnini at Blow de la Barra, London
A restrained show of a selection of curious objects — which were slightly reminiscent of Surrealism and Fluxism, in very good ways — united by heady concepts. From the press release: “‘Wish’… is mainly based on works that deal with desire and its necessary insatisfaction.”
Travel Guide by Matei Bejenaru, which was part of The Irresistable Force at the Tate Modern, London
A fold-out map with detailed instructions for a successful border-crossing into Great Britain or Ireland from Romania. It documents the physical and legal dangers. This content was an eye-opener for me — I have only a vague understanding of immigration in the European Union, as membership frees up the movement of people, to dramatic effects. I also liked the restrained form of display, limited to one floor graphic and take-away brochures.
I enjoyed Outside the Box at Cornerhouse very much. Almost every work in the show was a thought-provoking contribution. Gallery 2 (there are three) was my favorite, because it included Jim Campbells’s low-res screens of LED lights, Daniel Canogar’s fantastic fiber-optic projector and projections and Christopher Thomas Allen’s Dialogue, a theatrical replica of two adjoining office desks, whose computer monitors appeared to engage in a debate, flashing Google-image-searched pictures based on the words in an audio track.