Citizenship

Welcome the New: Bay Area Society for Art and Activism is here

My dear friend ET has been collaborating with genius Bay Area artists and activists to lay the groundwork for a new, optimistic organization. And they’re launching now!

Check out their Arts & Activism Quarterly; it features an interview with moi about the nineties, activism, and art, and includes tons of orgs and people that have inspired me.

It also hosts the beautifully-shot, poignant trailer for “The Last Black Man in San Francisco,” by Joe Talbot.

Talbot is among the many artists that will be featured in the Society’s kickoff party this Saturday night. It’s where I’d be, if I were in SF this weekend.

for more info see http://artandactivism.org/overnight-strange/

Overnight Strange Flyer

Sue me; I’m feeling optimistic, too. Before we dive into the season of gluttony and shopping mayhem, here’s where I’ve put my money, and if you are able, maybe you can too:

  • The Lab’s triumphant return spearheaded by Dena Beard. Keeping SF weird, loud, and experimental.
  • May Day Space, a cultural worker/education/organiging space led by a diverse crew in Bushwick.
  • The Society, of course! Become a member! We won’t concede SF so easily!
  • W.A.G.E. for Work. Six days left to go in their campaign to bring justice for all artists!
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Art & Development

Art Publishing Now & Critical Sources II

I am so proud to be involved with Art Practical. With its mission to cultivate and art critical writing and writers, Art Practical the result of the hard work and generosity of lots of bright, interesting people. I think the San Francisco Bay Area is lucky to have them, and that you should know about their programs and projects.

Art Publishing Now
October 9-10, 2010
Southern Exposure, San Francisco, CA

This coming weekend, October 9 and 10, Art Practical will participate in Art Publishing Now, a Summit, Afterparty and Library organized by Southern Exposure and a slew of publishing dynamos. The list of participants in the Fair looks killer. I love ‘zine fairs and I love art criticism (especially presented by writers and editors). Just go!

Critical Sources II
October 16, 2010, 12 – 4 p.m.
The Lab, San Francisco, CA
$25

Art Practical and The Lab are hosting Critical Sources II, the second in a series of workshops on art criticism. Among the workshop instructors is Kevin Killian, whose charming presence I spent many hours in while at CCA. His class on writing reviews was one of my favorites. (I once drove to Fresno for a field trip—a seven-hour round trip—but cut it short to get back for Kevin’s class.)

I’m sure all the instructors are great. At that price, it’s like they’re paying you to be there. [J.L.!]

It gets better: The class includes workshop-ing your reviews, and the two exhibitions you can choose to write about include Huckleberry Finn at the CCA Wattis Institute. I previously exhibited artwork and worked at the Wattis; I’m very fond of the literary series. I’ve heard very sharp critics say that this is the best of the series so far. Judging by last years’ no-holds-barred Moby-Dick, it must be impressive.

So, not only are they paying you to improve your art writing, they’re giving you an excuse to make it out to Dogpatch and see an amazing exhibition.

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