Cheap and cheerful
Here in Manchester, there’s a saying, cheap and cheerful. It means what it sounds like. For example, This and That is a tasty curry house that offers three items for £4.20; it’s praised as epitomizing cheap and cheerful.
I like the phrase because:
- It’s thoroughly appreciative, even though Mancs can seem totally unsentimental.
- It’s characteristic of something local: As Stuart Maconie put it in Pies and Prejudice,
…many of the north’s market and mill towns … have become shrine[s] devoted to binge drinking and discount shopping.*
Within a half-mile radius, there are three pound stores–Poundland, Pound World and Pound Empire, whose business name, confusingly, is Pound Kingdom–and one Quality Save.
- It reminds me of a Chinese expression, which is nearly identical (literally, “has attractiveness, has cheapness”). For my ultra-frugal immigrant parents, no higher compliment could be paid.
I’m about four days away from the Open Studio reception (Thursday, April 23, 5:30-7:30 pm, Chinese Arts Centre), so I’ve been working hard to finish several projects. Some are inspired by cheap and cheerful, so I’m making use of knickknacks from pound shops, like fans with multi-colored LEDs. Here’s a studio shot of the fans wired together to run on grid power instead of batteries, something I learned from this Instructables page.
Dan Graham, Tate Podcasts
Though I missed Dan Graham’s speaking engagements in the SF Bay Area this spring, I got his podcast lecture from the Tate. I enjoyed his talk, even without the pictures; he’s whip-smart, brisk, and completely free of affectation. For someone to have shown in as many Biennales and Documentas as he has, it’s very refreshing to hear him say in the same even, ego-less tone, that the Queen of Norway commissioned him to make a pavilion, so he made one on a fjord, it’s quite popular, and it’s referred to as a shower stall. Asides like this, from most other artists, would come across as false modesty.
I enjoyed meeting Tara Beall, the artist in residence at Islington Mill, whose work is a fascinating combination of Arte Povera, webcam-sourced-video, boundaries, interstitial spaces, architecture, and installations that are a hybrid of kinetic art and video projections.
Her work seems in dialogue with the work of Ed Pien, whose new show at the Chinese Arts Centre is being installed right now. I’ve been getting sneak peeks of it — mirrors, projectors, cut paper, and macramé on the scale of architecture — and I think it’s going to be phenomenal!
*To be fair, Maconie also wrote, “Like [Manchester] at its best, [The Smiths] had glamor and gloom, winsomeness and wit; they were magical and proletariat all at once.”