This week I’m looking forward to:
Josephine Meckseper The Complete History of Postcontemporary Art, 2005. Courtesy the Artist, New York, and VG Bild-Kunst. Source: Sculpture-Center.org.
Monday, April 9, 7PM
Subjective Histories of Sculpture: Josephine Meckseper
44-19 Purves St, Long Island City, Queens
Citing specific works, bodies of work, texts, or even personal anecdotes taken from inside and outside cultural production, and inside and outside art, these subjective, incomplete, partial, or otherwise eclectic histories question assumptions and propose alternative methods for understanding sculpture’s evolving strategies.
Josiah McElheny, Island Universe (installation view), 2009. Courtesy the artist, Donald Young Gallery, Chicago, and Andrea Rosen Gallery, New York. Photo: Museo Nacional Centro de Arte Reina Sofia, Madrid © Josiah McElheny. Source: publicartfund.org.
Wednesday, April 11, 6:30pm
Public Art Fund Talks at The New School: Josiah McElheny
The New School, John Tishman Auditorium
66 West 12th Street, between 5th & 6th Avenues, NYC
McElheny is whip-smart and I expect nothing less than to be blown away.
Public Art Fund is pleased to present a talk by Josiah McElheny, an American artist whose multifaceted artistic practice has incorporated decorative and functional traditions of glass, as well as research, writing, and curating to explore materiality and its relationship to the ways in which we see and experience objects. Often using narratives inspired by the histories of art, design, and glass as points of departure, McElheny has created massive sculptures of shining chrome and transparent glass that layer myriad references as diverse as twentieth-century fashion, modernist design, sixteenth-century Italian painting, and even the Big Bang theory.
Rob Carter. Faith in a Seed, 2012. Image courtesy the artist. Source: ArtinGeneral.org.
Opening: Friday, April 13, 6-8pm
Exhibition: April 13–June 23, 2012
Rob Carter: Faith in a Seed
Art in General
79 Walker Street (just off Canal and Broadway), NYC
I helped to build out this show, and I’m very excited to see how the installation and videos have come, quite literally, to life.
Faith in A Seed intertwines the languages of science and history into a living sculptural form. Rob Carter’s installation centers on the houses and gardens of three men of the 19th century. Miniature replicas of Charles Darwin’s Down House, Henry David Thoreau’s cabin at Walden, and Sir John Bennet Lawes’ Rothamsted Manor are the centerpieces of a large-scale triangular garden.
Viewers are invited to witness Carter’s controlled but fragile ecosystem in three distinct ways: time-based video projections, peepholes cut into the sides of the garden, as well as from an elevated viewing platform.