Art & Development

Mylar Ficus

Vinyl Ficus #3 & 4, 2010, vinyl, mylar, thread, lacing, wire, ~18 x 12 x 12 inches / 45 x 30 x30 cm each

Vinyl Ficus #3 & 4, 2010, vinyl, mylar, thread, lacing, wire, ~18 x 12 x 12 inches / 45 x 30 x30 cm each

In 2010 I made a ficus out of gold mylar. Actually it was gold mylar that was laminated on some kind of white plastic/poly sheeting. I’ve been looking high and low for that material again, with no luck at all.

Working with materials is challenging. I feel like many materials I use are often discontinued.

In searching for silver mylar, imagine my surprise to find this:

ficus on mylar

ficus on mylar

I love how the plant stands in as an object to demonstrate reflexivity, yet the photo is framed like a portrait.

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Research

houseplant spotted! rashid johnson @ hauser and wirth nyc

Image

Black Yoga Communication Station (detail), 2011 Blackened steel, books, plants, shea butter, oyster shells, CB radios, branded red oak flooring, black soap, wax, Persian rug Overall sculpture: 213.4 x 181.6 x 279.4 cm / 84 x 71 1/2 x 110 in Sculpture: 213.4 x 95.3 x 186.7 cm / 84 x 37 1/2 x 73 1/2 in Rug: 181.6 x 279.4 cm / 71 1/2 x 110 in Photo: Genevieve Hanson. Source:HauserWirth.com.

Rashid Johnson
RUMBLE
11 January – 25 February 2012
Hauser & Wirth New York
32 East 69th Street
New York NY 10021

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Artists

Mathieu Mercier

Stumbled upon the witty conceptual sculpture of Mathieu Mercier (B. 1970, France). I love the look and feel of it. To boot, he uses some of my favorite things: houseplants, lights, chandeliers, diamonds — yes!

Mathieu Mercier. Source: Spencer Brownstowne Gallery blog.

Mathieu Mercier. Source: Spencer Brownstowne Gallery blog.

Mathieu Mercier. acrylic on canvas, 60 inches diameter. Source: Spencer Brownstone Gallery.

Mathieu Mercier. acrylic on canvas, 60 inches diameter. Source: Spencer Brownstone Gallery.

Mathieu Mercier, Lampe double douille, 1999 | Hopf & Wortmann, Dna, 2006. Source: ioNoi.

Mathieu Mercier, Lampe double douille, 1999 | Hopf & Wortmann, Dna, 2006. Source: ioNoi.

Mathieu Mercier. Structure de mélaminé blanc pour plante, Loraine Bodewes Fotografie. Source: Observantonline.nl.

Mathieu Mercier. Structure de mélaminé blanc pour plante, Loraine Bodewes Fotografie. Source: Observantonline.nl.

Shelves to support leaves. Yes, that plinth looks like pegboard to me too. Brilliant!

Mathieu Mercier. Des spectres et des automates, 2008. Source: le-dojo.org.

Mathieu Mercier. Des spectres et des automates, 2008. Source: le-dojo.org.

Matheiu Mercier. Le-Dojo.org.

Matheiu Mercier. Le-Dojo.org.

 

Also, here’s some very interesting work that challenges the identity of objects by Francisco da Mata (B. 1968, Portugal). View his website.

Francisco da Mata. installation view of the "First try to spell my name" show | 2010 | The Foundry, Shanghai. Source: Francisco-da-Mata.com

Francisco da Mata. installation view of the "First try to spell my name" show | 2010 | The Foundry, Shanghai. Source: Francisco-da-Mata.com

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Research

Houseplants & Contemporary Art

There’s something fun and funny about live houseplants in contemporary artworks.

Live plants takes the edge off of self-serious contemporary art. By growing or dying, plants challenge the static condition of art-hood and the illusion of timelessness. Their standardized pots clue the viewer in to their status as ready-mades. By referencing consumer culture, decoration and domestic life, there is an appealing familiarity. Houseplants strike me as unpretentious and welcoming.


Won Ju Lim. Ruined Traces, 2007. Installation with projections, vitrines and artificial houseplants. Patrick Painter Gallery, Santa Monica, CA. Image Source: Art Rabbit, feature on LA art by Courtney Shermer, Oct. 16, 2007. (Granted, these aren’t live houseplants, but I included them because they function the same. Plus, live plants wouldn’t survive an exhibition run such a dark space.)

Simon & Tom Bloor: As Long As It Lasts

Simon & Tom Bloor: As Long As It Lasts. Installation view, Eastside Projects, Birmingham, UK.


Mostly trees, but there is a houseplant in the background. Image Source: Eastside Projects.

Martin Creed, work from Down Over Up, 2010

Martin Creed, work from Down Over Up, 2010


Down Over Up is on view at the Fruitmarket Gallery in Edinburgh through October 31, 2010.
Image Source (and many more delightful photos at): This Is Tomorrow, thanks to NM. (I’m also loving the black, diagonal, paint roller stripes in the gallery.)

Alejandro Almanza Pereda, A doctor can bury his mistakes, but an architect can only advise his clients to plant vines.

Alejandro Almanza Pereda, A doctor can bury his mistakes, but an architect can only advise his clients to plant vines


Image Source: Artist’s site.
Alejandro Almanza Pereda exhibits a larger iteration of this sculpture in The Heaviest Luggage for the Traveler is the Empty One
at Magnan Metz Gallery in Chelsea, NY, through October 23, 2010.

Rodney McMillian, Succulent, 2010, Installation view, Susanne Vielmetter Los Angeles

Rodney McMillian, Succulent, 2010, Installation view, Susanne Vielmetter Los Angeles


Tiny image, sorry. Image source: Paper Monument.

Also — Jeremy Deller said

I have a fantasy of lighting a concert with some tropical plants on turntables and a few lights.

Brilliant! Read more from the joint interview between Deller and David Byrne (awesome just got awesomer) at ArtInfo.com.

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