Collective Agreements from the MAP Fund

I recently learned about these collective agreements for panelist discussions from Jenn Woodward of c3:initiative, from the MAP Fund‘s RE-Tool: Racial Equity in the Panel Process (2018, PDF). I think these are great agreements to review to cultivate equity and mutualism.

Openness to others’ points of view 

Awareness of power dynamics 

Positive spirit, generosity, laughter, constructive critique 

Full attention to discussion, limiting distractions*

Letting others speak, finish thoughts, deep listening 

Staying grounded in the guidelines and criteria  


[*On Zoom, to me, this means limiting the what’s entered in the chat window to relevant items like agendas, links, spellings of names, etc.]


Belonging Project: Germination

A quick update about what I’ve been up to:

Mostly I’ve been working on outreach—contacting organizations and individuals about the different ways they can get involved.

I’m planting seeds and hoping that they’ll grow, but I don’t know if they will. I feel like I’m in that moment of just staring at the soil where the seeds are. I’ll sigh with relief when the sprouts finally emerge.

As with the earlier Belonging project in Albuquerque, it’s a challenge to get the word out and align with organizations’ program schedules. The heart of the project is the stories. The quality of the stories and the authenticity of the voices represented gives the project  salience and integrity. I can only invite people to contribute to the inputs. I can make the outputs as well-crafted and well-made as I can, but ultimately, the reader or viewer is connecting through the stories.

If you can, please submit a story.
(It would mean so much to me!)

I am currently here in the Bay Area, with one week left in my five-week stay. (I did the entire project in Albuquerque, from the outreach to sign painting and installation, and zine release, in a five-week stay.) I’ll come back in January to install certificates and print bandanas). I figured December 20 or so, until January 1, wouldn’t be productive for outreach. But I’m already learning the hard way that these first two weeks of December are challenging too, too. College semesters CBO programs are already wrapping up for the year.

I approached the project in Albuquerque with more of a sense that it was an experiment—I’m not from Albuquerque, and the project was inherently limited by the shorter residency duration. With this project, the Bay Area is huge, I’m hoping to represent the nine-counties, and I lived here 30+ years. I have five months to do this project. We’re planning to print 1,500 books (10x the Albuquerque zine edition). There’s the irony about mapmaking: maps convey comprehensiveness, though, by nature, are abstractions and limited representations.



The Belonging Project aspires to represent voices from the nine-county Bay Area: San Francisco, Alameda, Contra Costa, Solano, San Mateo, Santa Clara, Sonoma, Napa, Marin. Anyone with a meaningful connection is invited to submit a story!


This project will be the culmination of many collaborations. I will literally have mil gracias (thousand thanks) to say by the end. Right now, I especially want to thank the Haas Institute for a Fair and Inclusive Society; Evan Bissell for all his support coordinating the residency, advising, assisting, and encouraging me; Elizabeth Travelslight for inviting me to do a workshop with her SFAI class; Jaime Austin, Bryndis Hafthorsdottir at CCA Exhibitions for coordinating and/or facilitating workshops with students at CCA and Live Oak School, whose stories will feed into the Haas project; Ben Gucciardi for inviting me to do a workshop at the Soccer Without Borders program at Castlemont High; Carrie Donovan for spreading the word and organizing a Brown Bag lunch at the UC Berkeley Public Service Center; Abby Chen, Hoi Leung, and Yuanyuan Zhu from the Chinese Culture Foundation of San Francisco for jumping in 100% and organizing a bilingual workshop at the Union City Library as well as future possibilities; and the many college professors who have shared the project with their students, including Alicia Caballero-Christensen and Dana Hemenway who invited me to introduce the project in their classrooms at Laney College and UC Berkeley; Binh Danh and Mel Day, whose SJSU students are volunteering; and especially Kevin B. Chen and Kathy Aoki, who went above and beyond in rallying their students at SFSU and Santa Clara University to volunteer to conduct interviews with their families. 

I am here in the Bay Area one more week. If you’d like to meet, discuss, workshop, volunteer, coffee, high five, etc., let me know!


See all Belonging Project posts.

Projects, Travelogue

Harvester Arts: Welcome to Wichita

Updates from a residency in Kansas.  

I’ve received an exceedingly warm Midwestern welcome to Wichita. I’ve been here 10 12 days so far in my 18-day residency at Harvester Arts, a relatively new arts organization run by artists Kristin Beal and Kate Van Steeenhuyse, and filmmaker Ryan W. Gates. Harvester’s goal is to foster arts dialogues, and they do so by bringing artists to experiment and share their process with the public in short residencies, which culminate in an exhibition—and then local artists are invited to create and show new work in response.

I'm the inaugural resident in Harvester Arts' new location in Old Town. The ground floor is my workspace and will be the gallery for my exhibition. This was shot shortly after  I arrived.

I’m the inaugural resident in Harvester Arts’ new location in Old Town. The ground floor is my workspace and will be the gallery for my exhibition. This was shot shortly after I arrived.

As someone who has spent most of my life on the West and East coasts, the change of location has been a dramatic change of scenery (I am loving the vernacular architecture here; see Instagram) as well as a shift in attitudes. RWG said it’s unpretentious here, but more than the absence of a negative trait, everyone I’ve met has been genuine and proactively friendly. In NYC my first reaction to strangers is an immediate, instinctual suspicion—friend or foe?—”foe” a broad spectrum including anyone who will needlessly waste more than a few seconds of time. Here in Wichita, pretty much everyone I’ve met—including people outside of art contexts—has immediately asked me how I like it here, and are invested in making sure I do.

Before my artist's talk at Harvester Arts.

Before my artist’s talk at Harvester Arts last Tuesday.

I realized that this genuine mutual interest made me feel very safe, and I found myself divulging more about my life and feelings than usual during my artist’s talk last Tuesday. And it was wonderful to be myself, and to talk about personal emotions publicly, and feel completely accepted.

My project for the residency is to research collaboration. I have been conducting interviews with colleagues in the San Francisco Bay Area, New York, and around Wichita. Their insights have been reflective and steadfastly optimistic. It’s been an honor to spend this time mulling the bounties of working with other people. To share their words, I’ve been hand-lettering quotes from the interviews for the exhibition, whose design is inspired by publication layouts. I’ll publish some of the interviews in a ‘zine or online.

Kristin Beal shot this great photo for my forthcoming residency project show. Featuring quotes on collaboration (L-R) by lovely interview subjects Eleanna Anagnos and Elizabeth Travelslight and from a book by Twyla Tharp as recommended by Alicia Eggert and Christian L. Frock. The title of the exhibition,

Kristin Beal shot this great photo for my forthcoming residency project show. Featuring quotes on collaboration (L-R) by lovely interview subjects Eleanna Anagnos and Elizabeth Travelslight and from a book by Twyla Tharp. The title of the exhibition, “All the Steps in the Process” is also inspired by Travelslight’s interview comments.

I also conducted a survey (thanks to everyone who responded!) and will visualize the data (with the help of number-crunching by Kate and Callie).

It’s been a whirlwind of activity—conducting interviews, drawing, meeting local artists, attending and participating in art events, and over the past two days, designing and building furniture that will be in the exhibition. In fact, this two-week residency feels not short but condensed, and I hardly have time to reflect and post here about my experiences in further detail. That can come after the opening. So hope to see you then.

Opening Reception: Final Friday, April 24, 7–10pm

Harvester Arts, 215 North Washington, Old Town, Wichita, KS

Exhibition: April 24–May 17, 2015


Get excited: This week in NYC

Loads of thought-provoking art events in NYC are coming up! These all appeal to things I’m excited about lately—horizontal networks, feminism, activism and more:

Tonight! Tuesday, November 12
PANEL: Who Cares About Collaboration?

540 W 21st St, NYC
7-9pm, Free

Speakers include Joe McKay (UCB/Headlands!), Sarah Perks (the awesome Cornerhouse of Manchester), and folks from The White Building (a cool London art space).

Friday, November 15
Elizabeth Foundation for the Arts Projects Space 

323 W 39th Street, 2nd floor, NYC

Reception for the exhibition and event series for EFA’s Arts-Workers-as-Artists program, including Hatuey Ramos-Fermín and Elizabeth Hamby, whose excellent Boogie Down Rides event brightened up my weekend.

Lane Relyea, Your Everyday Art World

Lane Relyea, Your Everyday Art World

Saturday, November 16
CONVERSATION: Katy Siegel with Lane Relyea, author of Your Everyday Art World
Regina Rex
1717 Troutman Ave #329, Queens
About the

new networked, participatory art world

Get there early to check out:

EXHIBITION: Ornament and Crime
Ortega y Gasset Projects
1717 Troutman Ave #327, Queens
Gallery hours are 1-6 Saturdays and Sunadays. Exhibition on through Dec 8.

Group show curated by undercover super hero Lauren F. Adams, featuring projects by Stephanie SyjucoDavid MabbSusanne Slavick, and Stacy Lynn Waddell.

Monday, November 18
PRESENTATION: Guerilla Girls Broadband
Interference Archive
131 8th Street #4, Brooklyn
Talking about their latest project, MapAbortion, on access to reproductive health.

(I’m also really excited about Interference Archive’s forthcoming exhibition, Serve the People: The Asian American Movement in New York, opening December 5. IA’s core collective includes the indefatigable Josh MacPhee, and book- club-mate Blithe Riley!)


happiness is… research note #11

Site visits at Montalvo Art Center.

Site visits at Montalvo Art Center.

A few thoughts about what happiness is:

  • Having collaborators who are ever-armed with good humor, optimism and encouragement.
  • Buddies, true and warm despite time and distance.
  • Seeing someone who deserves every bit of happiness that comes her way find contentment.
  • And—even now, feeling like you’ve made your parents proud.