Research

See: #BelongingProject Intro

A collection of references on belonging.

I first became interested in belonging 2016. In my first project on belonging in 2017, the concept of belonging seemed a little bit abstract and nebulous… Over the years, I’ve noticed belonging pop up more and more, and I think it’s wonderful. Belonging is a deep lens through which many things can be seen: the personal and the political, the subjective and the systematic. I’ll post about art projects and art spaces concerning belonging here on my blog, with tagged #belongingproject.

A photo of a gallery wall with a piece of paper with questions about belonging in it. There are also salmon pink signs that say "What does belonging mean to you?"
A collective brainstorm on questions related to “What does belonging mean to you?” produced during the inaugural artist in residency program at the Sanitary Tortilla Factory in Albuquerque, New Mexico.
A sticky note with handwriting that reads, "Why is it important to feel a sense of belonging? Some people find it important because they want to feel socially accepted and to fit in. To some it can be the only answer to find friends. But also if you're surrounded by the right group of people then you'll feel like yourself and do not have to change to belong."
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Art Competition Odds

Twelve Months in Art Competitions, 2019-2020

Stats on my art competition applications from July 2019 through June 2020.

Goals

My goals this past ‘goal-year’ included applying to:

  • 2 grants. 
  • 6 residencies or studio programs in NYC.
  • 4 exhibitions in NYC.
  • 2 residencies, commissions, or projects in the S.F. Bay Area. 

This adds up to 14 applications.

Progress

I submitted 13 applications.

Of course, this was an exceptional year. I had other extenuating circumstances, and COVID changed everything. Not only were health, safety, travel, and finances endangered, existing projects were postponed and extended. Open calls were sometimes paused by the organizations. Some programs were canceled when organizations restructured due to the recession. Given all this, I was surprised to learn that I nearly reached my goal of 14 applications.

Here’s how much progress I made:

  • Grants.
    • [√] [√] √  √ 
    • I set out to apply to 2 grants, and I did.
    • I also applied to a fellowship and an award whose primary benefits were funding. If you count these towards my grants goal, then I exceeded this goal.
  • Residencies or studio programs in NYC.
    • [√] [√] [√] [√] [√] [_]
    • I aimed to submit 6 applications, and I completed 5 (3 residencies, studio programs).
  • Exhibitions in NYC.
    • [√] [√] [_] [_]
    • My goal was to apply to 4 exhibition opportunities. I completed 2 applications.
  • Residencies, commissions, or projects in the S.F. Bay Area.
    • [√] [_]
    • I submitted 1 application, though I aimed for 2. 
    • However, I was invited to do a project in the Bay Area, which leapfrogged the application goal to serve the greater goal.

Rejections

I received responses for 12 out of 13 applications. One program has been put on indefinite hold due to COVID.

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Of the 12 responses I received, all were rejections.

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Three of my 13 applications (23%) made it to a second round, or semi-finalist or finalist round.

I’ve enjoyed at least one or two successful applications each goal-year for the previous six years (the years most easy to look up), so garnering zero successful applications is a surprise. The sting of these ‘no’s’ is ameliorated by a more recent ‘yes,’ as well as invitations which arose from existing partnerships or past work.  


See my stats from 2018–2019, 2017-20182015-2016, 2014, and 2013.

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Art Competition Odds

Art Competition Odds: Women’s Studio Workshop 2019 Studio Workspace Residency

The Women’s Studio Workshop’s 2019 Studio Workspace Residency received 98 applications for 6 residencies.

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Selected artists comprise ~1:16, or 6.1% of applicants.

Note: WSW typically awards 5-9 Studio Workspace Residencies, depending on how events impact the maximum number of artists that they can accommodate in the studio.

See all Art Competition Odds.

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Art Competition Odds

Art Competition Odds: Women’s Studio Workshop 2019 Parent Residency Grant

The Women’s Studio Workshop’s 2019 Parent Residency Grant received 118 applications for 2 awards given.

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Selected artists comprise 1:59, or ~1.7% of applicants.

See all Art Competition Odds.

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Art Competition Odds

Art Competition Odds: Women’s Studio Workshop 2019 Artist’s Book Residency Grant

The Women’s Studio Workshop 2019 Artist’s Book Resident Grant received 69 applications for 4 awards.

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Selected artists comprise 1:17, or ~5.7% of applicants.

See the odds for WSW’s Studio Residency Grant in 2017 or 2015.

See all Art Competition Odds.

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Art Competition Odds

Art Competition Odds: Women’s Studio Workshop 2020 Studio Residency Grant

The Women’s Studio Workshop 2020 Studio Residency Grant received about 231 applications for 3 awards.

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Selected artists comprise 1:77, or ~1.3% of applicants.

See WSW’s 2017 odds for this program.

See WSW’s 2015 odds for this program.

See all Art Competition Odds.

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Art Competition Odds

Art Competition Odds: Center for Craft’s Craft Research Fund Artist Fellowship

The Center for Craft’s Craft Research Fund Artist Fellowship received nearly 127 applications for 2 fellowships.

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Selected artists comprise 1:63.5 or less than 1.5%, of applicants.

See all Art Competition Odds.

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Art Competition Odds

Art Competition Odds: Harpo Foundation’s 2020 Grants for Visual Artists

The Harpo Foundation’s 2020 Grants for Visual Artists received nearly 1,300 applications for 10 grants.

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Selected artists comprise 1:130, or less than 0.7%, of applicants.

See all the 2017 odds.

See all Art Competition Odds.

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