Art Competition Odds

Art Competition Odds: Southern Exposure’s Alternative Exposure

This year, Southern Exposure’s Alternative Exposure grant program received over 150 applications for 19 projects awarded.

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or about 1:8, or 12%

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Artists, Sights

10/18: The Nelson Manobar: lecture at SVA

I’ve chatted with these guys. They’re really funny and unpretentious. This should be a great talk.

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The Nelson Manobar
Tuesday, October 18, 7pmSVA Theatre
333 West 23 Street, NYC
visualandcriticalstudies.wordpress.com

Jimbo Blachly and Lytle Shaw, editors of The Chadwick Family Papers, discuss the Nelson Manobar, an occupiable scale model of Admiral Nelson’s HMS Victory that was long a fixture at Chadwick Manor. At once a theatrical stage set for recitations of Nelson’s death speech and a nautically-themed pub, the Manobar was thought lost until its recent rediscovery in a remote storage unit belonging to the Victoria and Albert Museum in Mumbai. The discussion includes the circumstances of the Manobar’s rediscovery, the saga of its passage back to the United States, and its singular place within the Chadwicks’ larger nautical collections. Gloria Kury, whose Periscope Publishing issued The Chadwick Family Papers: A Brief Public Glimpse, moderates the lecture; artist Steve Dibenedetto is a respondent. Presented by the BFA Visual & Critical Studies Department.The BFA Visual and Critical Studies Department at SVA is a multidisciplinary studio program designed to engage and challenge ambitious students in areas beyond a single medium of expression and creation. This dynamic course of study reflects our rapidly expanding visual culture and the increasing urgency to educate students about all aspects of visual experience. Visual & Critical Studies allows students an extraordinary opportunity to shape their own multi-dimensional art education through a guided combination of studio courses and academic offerings focusing on myriad forms and venues of contemporary visual life.

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Art & Development

Expertise: All in due time

Expertise, as the formula goes, requires going from unconscious incompetence to conscious incompetence to conscious competence and finally to unconscious competence.

—Atul Gawande, “Personal Best.” New Yorker, October 3, 2011.

My first half-marathon, a few weeks ago, was exhilarating and grueling. I’m tackling another 13.1 miles this weekend in Staten Island.

Here’s a paradox: I’ll be better informed, faster, and stronger for this race. Yet I can also perceive more acutely how slow I am. I will, quite realistically and very literally, be at the back of the pack.

But as Gawande reminded me today, this is all part of a process. My unconscious incompetence has been revealed (and will continue to be revealed, I’m sure) so that my incompetence can be conscious at least. Like those clumsy, hairy, adolescent geese I used to see on my runs at Lake Merritt, this is a humbling, awkward phase, where there’s nothing to do but keep going, so that one might inhabit conscious competence one day.

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Art & Development

Art Competition Odds: The Santo Foundation

The Santo Foundation received 783 applications last year for 2 individual artists awarded.

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or 1:391, or 0.5%

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Art & Development

The Greatest of All Time

Few things impress me as much as discovering that champions are also genuinely nice people.

In Born to Run, Christopher McDougall wrote about Scott Jurek’s constant encouragement of fellow runners. After setting records at 100-mile ultramarathons, Jurek would plop down in a sleeping bag and cheer on every last runner, sometimes for 12 hours or more. During a 50-mile race in sizzling Mexican canyons, as he pursued the lead runners, Jurek stopped to brief a fellow runner on the trail conditions and aid stations ahead of her. He increased the distance he’d have to reel in his competitors so he could help a friend.

I’ve had the pleasure of learning from one of the nicest and toughest people I know. Bunkerd Faphimi is a muay thai figher and trainer at Fight and Fitness in San Francisco. He has an astounding 350+ fights under his belt. He’s known in Thailand as the People’s Champion, and as soon as you meet him, you’ll know why. He’s incredibly kind, generous, and playful. Have a look at his fight videos. He likes to take a lot of punishment, and yet, he’s often smiling in the ring. Not a showboating smile, but one of enjoyment. Better yet, watch him spar with students. He offers a near-constant onomatopoeic commentary, delighting in an activity in which he’s mostly letting himself get kicked, punched, and put in the clinch. He’s the living antithesis of both the evil Karate Kid Freudian-father archetype sensei, and, with his sheer unpretentiousness and demystified approach to muay thai, of the ‘magical Asian’ Mr. Miyagi. His love of muay thai, and of life, is like exuberance embodied.

I often find myself defending fight sports from people view it as sanctioned brutality. What they don’t understand is that these are highly evolved sports that people spend years of their lives dedicating their lives to. You don’t get to that level without knowing, in your heart of hearts, that this is what you really want, and proving it over and over again. As Chris Cariaso, the other head trainer at Fight and Fitness (and a super nice guy who rescues dogs when he’s not training, teaching, and fighting in the UFC) said, he’s “living the dream.”

This gratitude for life experiences also extends to gratitude to other competitors. Though fighters and promoters hype fights as ways to settle personal beefs, fighters also experience profound gratitude and respect for competitors when the fight is fair, their skills are closely matched, and the fight is so enjoyable that the outcome becomes less significant. When you’ve witnessed your opponent’s skill and heart firsthand—when they’ve gained your respect and you haven’t compromised yourself or your performance in any way—you recognize that there is no shame or sadness in losing to such a worthy competitor.

This is very similar to psychologist Mihaly Csikszentmihalyi’s definition of flow: the activity becomes autotelic, skills are well-suited to the challenges, and participants lose themselves to the activity.

You can see this elatedness exemplified at the end of bloody battles when the fighters, after the last bell, happy and exhausted, embrace. They also often gently touch each other’s heads or draw their foreheads together—I’ve even seen a boxer wipe another’s face. You don’t have to be a social psychologists to recognize these signs of affection and intimacy. Their wide smiles are pictures of gratitude. (Forrest Griffin vs. Stephen Bonnar, TUF1, is a classic example. I’m sure I was not the only fan rooting for both of them by the end.) Sometimes, one fighter will raise the competitor’s hand in the air, not necessarily to signal his own loss, but to acknowledge his opponent’s champion spirit. In a world of machismo, humility shines.

Premise #1: True champions express gratitude, humility, and generosity.

McDougall writes that people are born to run, and that we love running because we love being with other runners. We are part of a human pack when we run together. Though endurance running is often accompanied by pain and exhaustion, many top runners compete with smiles on their faces. The joy of the activity is self-evident; the urge to help others enjoy the activity follows.

Speculations: Art is highly competitive and individual artists often compete against each other for grants, residencies, commissions, exhibition opportunities, and teaching jobs. Who are the top practitioners in the arts who express profound generosity and gratitude?

How do artists—even as competitors—help each other? Share our joy? Express our pack-hood?

When do we help each other find the flow?

Is art practice like endurance running? Can artists find the joy even as we slog it out for miles in the rain alone, as well as when we assemble and compete?

When our skills are evenly matched how do we raise another’s fist in the air, recognizing their spirits?

Is there a lesson for artists to be learned about becoming a contender before becoming a champion?

Read the abstract of a fantastic profile of Bunkerd by Elif Batuman in the New Yorker.

Watch a video interview with Bunkerd on MyMuayThai.com, an excellent resource for all things muay thai by a true practitioner.

[Added October 16, 2011] Read a recent blog post by Jurek on running with others.

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Art & Development

Art Competition Odds: Triangle Artists’ Workshop

The Triangle Artists’ Workshop Residency received 600 applications last year for 7 residencies awarded.

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or 1:85, or 1.1%

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Art & Development

Chinese Arts Centre’s People’s Residency

I’m intrigued by this new initiative seeking 100 members of the public to fund a residency. Since the UK’s arts budgets have been dramatically slashed, arts organizations have to be creative to continue supporting artists and providing access to the arts to the public. I’m happy to support the fantastic programming of the Chinese Arts Centre in Manchester, UK, and to help another emerging artist get the opportunity that was so valuable to my research and practice.

‘The People’s Residency’ scheme looks to fundraise an entire residency programme via the public, where we need 100 members to sign up and pay a single membership fee of £35 [about $55 USD]. With your donation not only will you be funding a critical career development opportunity for one lucky artist but you will also get the chance to vote from our four shortlisted artists as to who you want to be the next Breathe residency artist for Spring/Summer 2012. And to top it all off you get a unique insight into the residency programme with special members only events, afternoon tea with the artist, members e-newsletters, artist’s online residency blogs and members only previews!

http://peoplesresidency.chinese-arts-centre.org

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