Activist Imagination, Community

random and rad

From e-Flux:

kempinas tube
Zilvinas Kempinas.
Tube, 2008
Installation view, Atelier Calder, France

Žilvinas Kempinas will represent Lithuania at the 53rd Venice Biennale of International Art

fourfold program
by elizabeth travelslight

chinese new year in daly city: dim sum + polvoron

“I think for some reason we are unwilling to honor people who are politically active. We want to honor people who just have had enough and sort of spontaneously won’t take it any more. But somehow if they get categorized as active citizens, … then somehow it becomes self-serving, part of a movement which we’re less comfortable with.”

Tim Tyson, scholar, in a great segment on Rosa Parks

“Tabula Rosa”

On the Media, NPR, January 23, 2009

The strange history of lorem ipsum (5:15)
Alex Gallafent, The World, PRI, January 26, 2009

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Art & Development

One week until Breathe

If I’ve pulled back from local art, it’s because I’m preparing for an artist’s residency at Chinese Art Centre in Manchester, UK. The residency program is called Breathe — and the title couldn’t be better. I feel like I’m holding by breath until I get settled into the studio late next week.

Anticipation. From my current predictable perch (wake-eat-work-sleep), uncertainty seems terrifying. Luckily, I was able to visit Chinese Art Centre and Manchester in 2007, so I have a good sense of where I’m going, and the fantastic resources that will be available to me. I also know I’m in good hands with this organization… a relief.

Worried about money. (You write four rent checks in advance! Very sobering.)
Excited about:
Time to do nothing but make art.
Going to my first art opening in the UK. Whitworth Gallery, here I come!
Meat pies.
Graphic design and architecture. There’s so much great packaging and signage design for newcomers to appreciate… The Manchester Piccadilly rail station, for starters. Or a bag of Leicester cheese flavored crisps! Amazing.

Thankful for:
The hubby’s visit in March. So necessary.
Technology. I’ve accepted that I’m too attached to my computer to leave it behind. I’ll sleep in a strange bed in a new city for three months, but at least I’ll have my own virtual desktop.
And, finally, being able to talk about my president with pride.

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Art & Development

new year, new software

One of my take-aways from the Creative Capital Professional Development workshop was improved bookkeeping. Artists, stereotypically, are “bad” with money. But the idea is this: manage your time better. Spend less time on money so you can focus better energy on art. Stop wasting time doing things the hard way. Utilize productivity tools.

The only way to find what works for you is to jump in. Here’s a re-cap of the software I’ve tried:

I was burdened with a series of Excel spreadsheets for tracking everything — bookkeeping, tax prep, and time. They were reliable but time-consuming.

The Mac version of Quicken looked dinky, so I tried Quicken Home Business for PCs ($80) in 2007. It was nice to automatically download my credit card transactions, instead of manually entering a pile of receipts. Still, the program was an over-complicated clunker. I was worried about security, but all the embedded passwords to download transactions through Quicken (rather than a browser) were a pain. Not only did log-in take ages, it locked up the program! I’m a multi-tasker, and I want my software to be, too. I was also turned off by all the annual fee-based upgrades. My tax prep was simpler from the year before, but still ended up a bunch of messy Excel sheets. I gave it a shot, but Quicken PC wasn’t worth the cross-platform bother.

Last year, I switched to Quickbooks for Macs ($199). Refreshingly, Quickbooks actually lives up to its name. It’s zippy, and seamlessly blends simplicity and high functionality. Daily tasks, like entering invoices, expenses and receiving payments, are a breeze. The app is smart but not pesky — it remembers and suggests names and categories, but accepts overrides effortlessly. It’s easy to get the bigger picture too: what I’ve spent, what I’m owed, if I’ve been paid. I can also track how much I’ve spent on a specific exhibition — this is really helpful. For artists, money can be too emotional anyway; better to know how much you’ve actually spent vs pondering Is my artwork worth so-and-so expense?)

To download bank and credit card statements, Quickbooks simply opens your institutions’ websites in your browser: simple, secure and familiar. (There’s a wrinkle, but it’s with my bank: downloading statements for Quickbooks is a feature available to all business account holders except sole proprietors. WTF?)

For tax prep, users are only two clicks away from a full profit and loss statement that includes all income and expenses for the year, which flawlessly exports into Excel. For the first time since the 1990s, I’ve whittled down all my tax info down to one Excel document. (I know! Nerdy! But, when you’re leaving the country from Feb-May, like I am, it’s a huge relief.)

I’d recommend Quickbooks for all artists and freelancers, especially because it includes short videos that painlessly acquaint users with set-up and work flows. It’s not cheap, but you get what you pay for in speed, functionality and convenience. I spend 20-40 minutes per week on bookkeeping, and have finished the bulk of my tax prep in three or four hours. It’s sooo much better than going through a pile of old receipts and bills.

While Quickbooks includes a time-tracking feature, it’s not detailed enough for tracking my freelance hours. Previously, I used to use a long Excel sheet with a simple formula and shortcut keys that enter the current date and time. It involved a lot of copying, pasting, and scrolling.

For 2009, it seemed like a good idea to graduate to proper time-tracking software, and after doing a few trial downloads, I’m giving Fanurio ($39) a shot. It’s still in its early versions, so it’s simple and clunky, but has the primary functions I was looking for:
1. Starting, stopping and pausing a live timer,
2. A high degree of control, including adding past hours to a log (a helpful feature for anyone who does any work away from a computer),
3. Quickly seeing the mode you’re in,
4. Reliability / back-ups.

I also like the ability to minimize the window into an iTunes-like controller, with a live timer display. If you’re going to have an app open all the time, it has to disappear and re-appear nicely. Fanurio is really designed for freelancers, and tracks time and rates, and keeps a running total of hours and profits for each job. Hopefully, later versions will bring improvements to the interface and speed, such as allowing users to customize window views and single-click to change jobs.

While anytime is a good time for artists to get more organized, January is a great time to make the switch to new software.

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Art & Development

Delorean Mac Mini

The web can be a scary place. In the past few weeks, I’ve had the sad realization that there’s people out there who are reactionary and cynical (and they’re all driven to comment on message boards). Witty sound bites are generously rewarded. So it was really nice to come across a wonderful little corner of the internet today. I’m reminded that the internet can brighten my day, just by virtue of exposing me to something strange from afar. And I never would have heard about it without the web.

The Deloerean Mac Mini guy is no artist, but I admire his obsession with integrating his computer with his charismatic, stubbornly iconoclastic car: I can relate to his obsession, problem-solving, documentation…

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Art & Development, Community

love it/ hate it

Love it:

“The Big Three,” the current exhibition at Rosenthal Gallery, features the work of 18 artists, though the title could be written for me, since three of my classmates from CCA (MFA 07) are in it: David Gurman, Renee Gertler and Erik Scollon.

Scollon continues his series of life-sized fist-shaped cast ceramic sculptures. The new sculptures are all pushing the boundaries of domestic kitsch, featuring the sort of rose patterns you’d find on linens at Ross. While some of his past blue-and-white fist sculptures were ironic and cool, these would especially great atop crocheted doilies.

The always-meticulous Gurman shows a dyad of photographs sourced from government agencies. I wasn’t able to get through his verbose statement at the packed opening, but I appreciate his conceptual rigor as an artist working with found photos, a process that can lend itself towards emotional, intuitive interpretations.

Gertler contributes goodie-bag assortment of odd forms in aluminum foil, painted paper mâche, “DO NOT EAT” silicate pebbles, balsa wood and other unidentifiable scraps. It’s a kind of joyous formalism — humorous, humble and a bit nerdy. As an artist struggling with how my work fits in the world and the market, I really appreciate Gertler’s commitment to making impertinently impermanent art.

Love it, too:

Good coincidences. I realized yesterday that I should look into getting a bank of LEDs for an upcoming project. Guess what came in the mail today? The new Jameco catalog! Sweet!

Hate it:

What I’d add to The Onion‘s “Things We’re Barely Tolerating This Week”:

Michael’s, the craft store. Despite its new logo and cutesy interior design, its biggest problems persist: crap customer service (No wonder the cashiers give customers attitude! I heard two surly teenage slackers give the manager lip today.) and heavy-handed mark-ups (A 10 oz jar of Armour Etch, a wonderful and frighteningly caustic cream used for etching glass: $27.99. At Long’s in Oakland, you can get a jar with 2 more oz for $4 less! As Woff says, “Long Live Longs.”)

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Art & Development

mid-january: art season in the mission

With the slow economy, I suspected that gallery owners would hibernate a little longer than usual, but it turns out Mission District galleries are ready to go. A string of openings this afternoon and tonight should be a good way to while away a Saturday in the City. (Sadly, my Canon Powershot is out of commission, so no pics tonight.)

Drawn Together
Community Celebration at Laguna Honda Hospital
Featuring a collaborative art project lead by Helena Keeffe
Saturday, January 24, 2009, 2-4pm
Laguna Honda Hospital, Moran Hall, 3rd floor, main building
375 Laguna Honda Blvd
San Francisco, CA

Mads Lynnerup: You are the Artist, You Figure it Out
Baer Ridgway Exhibitions
172 Minna Street
Opening Reception :Saturday, January 10, 2009, 4-6 pm
Exhibition: Jan. 10- Feb. 14

Retractions: An exhibition exploring notions of vacated information
Curated by Whitney Lynn
Opening Reception: Saturday, January 10, 7-10 pm
Exhibition Dates: January 7-24, 2009
Sliding Scale Suggested Donation: $2-$20
Root Division Gallery
3175 17th Street (at S. Van Ness)
San Francisco, CA 94110
ARTISTS INCLUDE:
Peter Baldes
Taha Belal
Jan Blythe
Ross Campbell
Deric Carner*
Jon Clary* & Bruce Wilhelm
Julie Cloutier & Claire Nereim
James Davis
Adam Whitney Day
JRF
Jennifer Maria Harris
Ryan Hendon
Robin Johnston
Ryan Jones*
Forrest Lewinger
Ann Mansolino
Ramekon O’Arwisters
Piero Passacantando
Moshe Quinn
Michael J. Ryan
Jeff Schmuki
Travis LeRoy Southworth
James Tantum
Will Tucker
Hooper Turner
J. Parker Valentine
Allison Watkins
Julie Weitz
Jameson Zaerr
* Root Division Resident Artist

Mat O’Brien
I Ain’t no Freud, I’m from SF.

Opening: Saturday, January 10, 2009, 7-10pm
Exhibition: Jan. 10- Feb. 14
Eleanor Harwood Gallery
1295 Alabama Street
San Francisco, CA

The Big Three
Opening: Saturday, January 10, 2009, 6-9pm
Rosenthal Gallery
365 Valencia Street
San Francisco, CA
Featuring 18 young artists: Scott Barry, Sara Blaylock, Nicholas Bohac, Amy Casey, Nathan Ross Davis, Robyn Engel, Renee Gertler, David Gurman, Katty Hoover, Sangyon Joo, Lauren Lavitt, Christine Monahan, Suzy Poling, Anthony Record, Brion Nuda Rosch, Erik Scollon, Michael Swaine, and Annie Wong.

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Citizenship

all quiet on the home front. ’til now.

Today, while I was dealing with the tedious details of daily life like deadlines and health insurance, something big was going down in the streets.

This afternoon, a large crowd peacefully protested the shooting of Oscar Grant, the unarmed 22-year-old, by a BART police officer. I think that’s beautiful that people are getting organized — the shooting of an unarmed man is a completely legitimate cause for outrage. In fact, I think it is a cause for concern for any citizen, regardless of your politics: those charged with protecting the citizenry have to be competent, aware of basic rights, and they have to be accountable to us, the citizens. That is not asking too much.

No one should be shot in his back while lying on the ground. Period.
Regardless of race, past criminal activity, the time of night, your attitude, the part of Oakland you’re in.

Given that, it’s outrageous that BART Police has been so slow to take action. They did not release the officer’s name for several days, and today, the officer, Johannes Mehserle, resigned, effectively dodging the responsibility of answering questions from BART internal affairs investigators. Wait — a week has passed and you haven’t questioned the guy that pulled the trigger!?!?

I can’t comprehend how one person could fatally shoot another human being — and still be walking around free, without having to answer investigators’ questions. What is the hold up? When will they formally charge him? Why aren’t they worried about him hopping the borders, like that corrupt Oakland Rider who has yet to see his day in court (though those that did were acquitted)?

The right to bear arms is founded on the ideas that (1) abuse of power should come as no surprise, and (2) that Americans have a right to resist injustice. In the same vein, our laws against murder or manslaughter can’t only apply to civilians only. I know it’s complicated, but cops have to be brought to justice too. Could BART Police do a worse job of this already? It’s possible that this investigation will lead to a formal charge and prosecution, but honestly, there’s few indications so far. Is it any wonder that people are outraged and frustrated?

The peaceful march in the afternoon turned into a sensational news-worthy riot tonight, with significant BART closures, property damage, and footage of chaos and fiery cop cars. I was worried that the investigation would drag out until the public lost interest, but now I’m afraid the public will lose sight of the issue at hand.

I can’t condone the violent faction of protestors’ poor choice of targets — it sucks that they smashed mom and pop shops and damaged property belonging to average citizens. On the other hand, protest is fundamental to a democratic life; it’s a like a heartbeat showing that people do give a shit, and that not all of us are standing in a fog in Home Depot.

A lot of people can’t sympathize with protestors when they interrupt their commute or take illogical actions. But I can’t help but wonder, what if a popular white kid from Walnut Creek was shot in the back by a cop, and a week went by with no signs of justice? Would the grieving family’s action of recourse be seen as an outlandish money-making scheme? Would mayors be urging calm then? Would local message boards commenters suggest that the investigation, however slow, is good enough? To get the New York Times’ attention, would the shooting be enough of an outrage, or would it take a messy, violent uprising?

Enough. The District Attorney needs to charge Mehserle already. And Mayor Dellums needs to do something besides shake hands with people at Safeway and warn about budget shortfalls. FIX IT. The accused has been dodging his responsibility with the president of the police union at his side. BART won’t handle it, and if this goes on, and maybe a boycott is in order.

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