Impressions, Sights

See: Ebony Patterson, Gina Osterloh, Houseplants

Two shows I like, and one I’d like to see.

Through April 3, 2016
Ebony G. Patterson: DEAD TREEZ
Museum of Arts and Design, NYC

Ebony G. Patterson, Swag Swag Krew-From the Out and Bad Series // Source:  madmuseum.org

Ebony G. Patterson, Swag Swag Krew-From the Out and Bad Series // Source: madmuseum.org

A visually dense show of custom Jacquard tapestries embellished with glitter and toys, and an installation inspired by Jamaican dancehall dandies, shown in floral print-wallpapered galleries. There’s also a terrarium-like installation of the museum’s jewelry collection. [Full disclosure: I freelance here and helped install the show. And you know what? I really enjoyed meeting and working with Patterson—she was engaged, down-to-earth, and hardworking. Big points for learning the crew’s names and feeding us patties from Jamaica.] I’m excited about this show for MAD; I hope future programming reflects similar youthfulness, urgency, and color.

[This winter’s a promising time to visit. There are some amazing pots and insanely intricate minatures in the Japanese contemporary ceramics show. Takuro Kuwata’s pots are knock-outs.]

Through December 19, 2015
Gina Osterloh
Higher Pictures, NYC

Gina Osterloh, Press and Outline (still), 2014, b/w 16mm positive film, TRT 5:30 loop // Source: higherpictures.com

Gina Osterloh, Press and Outline (still), 2014, b/w 16mm positive film, TRT 5:30 loop // Source: higherpictures.com

[The solo show of a super talented and skilled friend from LA. She’s good; you don’t have to take my word for it.] Quiet, meticulously-crafted photos of paper-crafted sets exploring the body. A triptych of photos of hand-painted lines forming warped grids conjures an industrial bathroom floor or the subway; the queasiness of the distortion in the leftmost image seems to offer relief of the more rationally ordered grid in the right image. There’s a mesmerizing film of the artist tracing her own shadow on the wall—she’s framed at a distance, and the gestures are controlled, yet the experience is oddly intimate.

[Also, while you’re in the foyer at 980 Madision, take a minute to enjoy the large Ed Ruscha painting of three masted ships, courtesy of Gagosian.]

Through November 21, 2015
Imperceptibly and Slowly Opening
Sector 2337, Chicago

Sri Chowdhury, "Affected Painting," site specific installation, 2015. Wood, linen, oil paint, concrete, plants, light gels, shadows, ceramics, dimensions variable. Photo by Clare Britt. // Source: cocopicard.com.

Sri Chowdhury, “Affected Painting,” site specific installation, 2015. Wood, linen, oil paint, concrete, plants, light gels, shadows, ceramics, dimensions variable. Photo by Clare Britt. // Source: cocopicard.com.

If I were in Chicago I’d check out this show about how plants “trouble human structures.” It looks like a brainy show with a diverse array of approaches to this subject matter. While there, I’d also get to know Sector 2337, an artist-run gallery, bookstore, and press, as well as a modest studio residency program.

 

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