Values, Meta-Practice

Only in an obfuscating art world does transparency seem radical

Some generative, collective thoughts for transparency and against competition.

Thinking about all the things that are supposed to go unspoken in the art world, and artists’ self-preservation, and how even a teeny bit of transparency can seem risky or radical in the obfuscating art world. Our battles seem so hard won, why share any insight with others? Exactly because none of this is easy. Info and access are the easy bits, relative to good work, persistence, and longevity.

“Every interaction involves a choice between collaboration and competition, and to what degree. Eventually you have to choose the world you want to live in.”

—TC

“So much of the way that the art world is structured favors competition. Grants are competitive. … Artists compete with artists–stealing ideas instead of sharing them, or using copyright laws to guard against thoughtful re-use. Artists compete for shows in a limited number of exhibition spaces instead of finding their own ways to exhibit outside of these competitive venues. Artists conceal opportunities from their friends as a way of getting an edge up on the capital-driven competition. … This is a treadmill made from decomposing shit that is so devoid of nutrients that even its compost won’t allow anything fresh to grow. We need something better to run on. … Working toward a global network where one creates opportunities and, in turn, can respond to limitless opportunities without the pressure to compete, allows for a more generous, diverse and open art practice.”

Marc Fisher (Temporary Services), “Against Competition,” Blunt Art Text #2, April 2006 via Stephanie Syjuco/Free Texts

 

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