“the market artists whose potential social worth is quite directly to serve the interests of the international clientele inhabiting the most rarefied of income heights, a highly paid service role to which several generations of artists have been trained to aspire.
But this is not the picture of ourselves that most of us artists, curators, critics wish to recognize…. The artistic imagination continues to dream of historical agency.”
—Martha Rosler, Culture Class, 2013, p 211
R+D 