Archive for the 'Art & Development' Category

2012: grow your intelligence

January 3, 2012

Psychology professor Rodolfo Mendoza-Denton shares a nice thought about the optimism and pessimism of learning to carry into the new year. (Via Greater Good Science Center)

A key aspect of the “grow your intelligence message” is the implications it has for the experience of difficulty. If one believes that abilities and intelligence are fixed or wired in us, then experiencing difficulty on a task can only mean one thing: that one must not have the correct wiring, genetic makeup, or inherent ability to succeed at that task. It’s very easy to come to this conclusion in the face of failure: I received a message from a student of mine the other day who apologized for not doing well on an exam, and she remarked, “I must not be cut out for this.”

However, if one believes that intelligence is malleable and can grow with practice, then the very psychological meaning of difficulty changes: It now suggests you are activating your intelligence, that you are flexing and practicing your skills. Difficulty is to ability like water is to a growing plant; as such, you become resilient in the face of trouble.

[Note to self: Practice making art. Experiencing art. Having patience. Being kinder. Enacting principles. Reaching goals. Taking risks. Embracing adventure. Being grateful.]

2011 highlights

December 24, 2011

mirrorsblackportraittake charge of your happinesshopexpectationsleah v jessicajane v dantryn v marycwy v cwycreativity flowpositive signs 1symbolic ecologycreativity csikszentmihalyipossibilitygive thanks

mirrorsblackportrait, Rush Gallery, NYC. Thanks Hank, Natasha and Charlotte.
hopexpectation
, take charge of your happinessJenkins Johnson Gallery, NYC & San Francisco. Thanks Karen, Teresa, Alyssa and Courtney.
Dialgoues, photographed in residence atWoodstock Byrdcliffe. Thanks Leah, Jessica, Jane, Dan, Tryn and Mary.
Positive Sign #1, 6, 31, 57, SFMOMA Open Space & Steven Wolf Fine Arts, San Francisco. Thanks Suzanne, Steven and Andrew.
Creativity, Mihaly Csikszentmihalyi, Untitled Gallery, Manchester, UK. Thanks Mike and Katie.
Give Thanks, Untitled Gallery / Project Space Leeds, Leeds, UK. Thanks to Katie Rutherford and all the contributors who shared their gratitude lists with me.
Thanks also to Courtney at SoEx; Sally at Chinese Arts Centre; Christian at Invisible Venue; Hannah and Scott at DXDX Studio; Brandon; Fawn at Catskill Arts; Aaron and Jackie at MacArthur B Arthur; and Ruth, Whitney, Lauren and Jeanne at Seton Hall.

studiodovetail joint

360º view, studio and woodshop class. Residency at Woodstock Byrdcliffe Guild, Woodstock, NY. Thanks Katherine, Paul and fellow AIRs!

IPPA

Advancing my research into positive psychology at the IPPA World Congress, thanks to the generous support of a Jerome Foundation Travel and Study Grant.

art practical,should i stay or should i goart practical temporary art review art competition odds

Art Practical features: “Should I Stay or Should I Go?” and “Portrait of an Artist, Wily and Engaged.” Thanks Patricia, Vicky, Stephanie, Mike, Woff, Pablo, Emma, Torreya, Amanda, Tattfoo and Lee.
Art Practical reviews: “Residency Projects II, “Under Destruction I & II,” “From New York: Curtain Call.” Thanks Matthew and Tess.
“Art Competitions: A Selective Comparison of Applicant Pools, Awards, and Odds.” Temporary Art Review & Rejected. Thanks Sarrita, James, Tattfoo and fellow data-gatherers.
Notes on Object-Viewer Relations.” SetToSignal.com. Thanks Pablo, Brent and Alicia.

T H A N K   Y O U
~ for your support and interest in my work;
~ for reading;
~ for participating in the art community;
~ for sharing your enthusiasm!

Let me know what your 2011 was like, and what you’re looking forward to in 2012!

Yes, artists and freelancers have rights

December 6, 2011

A friendly reminder to check out, if you haven’t done so, some worthwhile resources. 

No Spec!

The Graphic Arts Guild’s Pricing and Ethical Guidelines Handbook

Freelancer’s Union Get Paid, Not Played resources

And because, well, because:

Mike Montiero’s Fuck You. Pay Me. video

 

Jonathan Haidt on the uses of adversity

November 26, 2011

In The Happiness Hypothesis (New York: Basic Books, 2006), psychology professor Jonathan Haidt explores the uses of adversity. His points seem to validate my issues with pundits’ declarations that the recession would be beneficial for artists (elaborated in “Portrait of an Artist, Wily and Engaged” on Art Practical). Haidt explains:

People need adversity, setbacks, and perhaps even trauma to reach the highest level of strength, fulfillment, and personal development

However, we oughtn’t

celebrate suffering, prescribe it for everyone, or minimize the moral imperative to reduce it where we can.

Based on numerous studies, Haidt concludes that some conditions for the uses of adversity can be inferred:

For adversity to be maximally beneficial, it should happen at the right time (young adulthood), to the right people (those with the social and psychological resources to rise to the challenges and find benefits) and to the right degree (not so severe as to cause PTSD).

To refine my position by way of paraphrasing Haidt, it’s inappropriate to celebrate the adversities that artists endure during recessions, especially considering the artists who lack the social and psychological resources, or find the adversities too severe, to continue practicing art.

Niemann: Marathon Drawing

November 20, 2011

If you haven’t seen this yet, have a look. Christoph Niemann (Abstract Sunday, NYTimes) ran the NYC Marathon while drawing about his experiences. Running plus illustration and a dose of humor. Good stuff.

http://niemann.blogs.nytimes.com/2011/11/07/new-york-city-marathon/

10/18: The Nelson Manobar: lecture at SVA

October 12, 2011

I’ve chatted with these guys. They’re really funny and unpretentious. This should be a great talk.

oct11_sva.jpg
The Nelson Manobar
Tuesday, October 18, 7pmSVA Theatre
333 West 23 Street, NYC
visualandcriticalstudies.wordpress.com

Jimbo Blachly and Lytle Shaw, editors of The Chadwick Family Papers, discuss the Nelson Manobar, an occupiable scale model of Admiral Nelson’s HMS Victory that was long a fixture at Chadwick Manor. At once a theatrical stage set for recitations of Nelson’s death speech and a nautically-themed pub, the Manobar was thought lost until its recent rediscovery in a remote storage unit belonging to the Victoria and Albert Museum in Mumbai. The discussion includes the circumstances of the Manobar’s rediscovery, the saga of its passage back to the United States, and its singular place within the Chadwicks’ larger nautical collections. Gloria Kury, whose Periscope Publishing issued The Chadwick Family Papers: A Brief Public Glimpse, moderates the lecture; artist Steve Dibenedetto is a respondent. Presented by the BFA Visual & Critical Studies Department.The BFA Visual and Critical Studies Department at SVA is a multidisciplinary studio program designed to engage and challenge ambitious students in areas beyond a single medium of expression and creation. This dynamic course of study reflects our rapidly expanding visual culture and the increasing urgency to educate students about all aspects of visual experience. Visual & Critical Studies allows students an extraordinary opportunity to shape their own multi-dimensional art education through a guided combination of studio courses and academic offerings focusing on myriad forms and venues of contemporary visual life.

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