This week’s Ethicist column (“Map or Menace?” by Chuck Klosterman, New York Times, July 5, 2013) offers an interesting opportunity to consider the neutrality of objects, via a vintage map of Germany in 1937 for possible display in a living room.
I would argue that the artifact itself should be neutral, yet its display is freighted with associations that are not. How much meaning is imparted by the artifact, and how much by its display?
Consider the paradox:
There’s no ethical responsibility to avoid offending people who manufacture personal meanings.
I appreciate that Klosterman acknowledges that meanings are superimposed by viewers upon objects here, echoing artist Haim Steinbach’s The Object Lesson course centered on show-and-tells of the same objects every week (The Artist’s Institute describes how students learned that “analysis hinged on their own projections and desires”).
If you deliberately present an image that is prone to misinterpretation, you have to accept the consequences.
…perhaps presenting an opportunity to map an overlap between the home’s “symbolic ecology” (as described by psychologist Mihaly Csikszentmihalyi) and group social relations. The symbolic ecology reminds residents of who they are, what they’ve accomplished, and what they aspire to do, yet it also conveys these identities to visitors. What we own and display tells others about who we are, even from within the safety of our own domestic museums of the self.